“We are not here for props, we are here to inspire others”, a tweet read..
I typed a reply, “lowkey — we are just props maan, hyperactive — hyper intelligent props”… Then deleted it. Why is it mentioned here ? fuck it, hate it or love it, bump it or spell across the…. (Just kidding, paraphrasing Nas’s Purple) I mean you dare not say all you mean to say on Social media. But then, covfefe — anyways the tweet in itself turned into a set of thoughts around body parts and isolating them and props and what they have in common and stories etc so I decided to see what I have in my archive as I like to do with such itch.
Ofcourse the body — any body is an effective design, flawless when propped. Even looking closer for inspection has been a visual pleasure often to photographers. Old and now.
During the set up of an art fair I was part of, someone asked me to help fix a mannequin and it was fun and strange all at the same time. Fitting this heavy, slightly complex replica of human form sort of made me pay more attention to how interesting these singular units are on their own. Singular Islands of possibilities.
It’s even more interesting when they are isolated in a frame. You know how photographs still those observations long enough for you to ruminate over and soon a pattern forms. Validating what a friend told me about how your last photograph almost decides the next.
Here are a few and what I think (or not think) about them. Or maybe just the stories around them:
Asides from the hilarious comments that I can’t seem to forget from the passers-by while I tried taking this photo, It always brings a particular Damien Marley hook to mind.
“I gots to keep on walking on the road to Zion, man/ We gots to keep it burning on the road to Zion, man”
The search for Shangri-la of some sort is the biggest premise for the convergence and migration to the urban. I pray we all find it and while we do I hope we do not miss out on the greatness in details.