Movie Review: Moonfall

Dillon McCarty
Mountain State Films ’N’ Tunes
3 min readApr 28, 2022

“Moonfall,” another film from director Roland Emmerich, follows a group of humans who try to survive an unprecedented global event. In this cinematic case, the moon is knocked out of its orbit, possibly by an evil force. As a result, parts of the moon collide with Earth, causing an abundance of death and destruction. While many humans deal with constant chaos on Earth, science experts journey to the moon with the intent of saving humanity.

Whenever Roland Emmerich has a movie coming out, I mark my calendar. Yes, Emmerich has made some bad films, but no one is perfect, and it’s important to remember that he is the filmmaker who gave us “Independence Day” (1996) and “White House Down” (2013), two films that are loads of fun. In the case of “Moonfall,” Emmerich goes back to his successful roots, delivering a solid movie that stands above the average genre flick.

Emmerich’s film, like many of his others, is a mix of old school and new school. His premise is the stuff of 1950s B-movies, but the effects are achieved through computer generated imagery, a modern day approach that dominates the cinematic industry in terms of conveying spectacle. Sadly, the film’s special effects are a mixed bag. The earth bound sequences reek of unconvincing artificiality, taking away from onscreen damage that should be both poignant and scary. On the other hand, the space bound effects are well done. Space looks convincing, and the ensuing forces are filled with proper scale and mystery.

While the story is loaded with uninspired characters, the kind that usually sink lesser films, the main actors squeeze out every last bit of intrigue. In the lead role is Patrick Wilson, by my estimation one of the most likable actors in the movie business. His onscreen appeal is just what the doctor ordered for this type of movie. He is universally relatable and has a simple yet effective arc tied to humanistic redemption. Backing him up is Halle Berry, who stands out as one of the film’s only science experts defined by compassion, intelligence and objectivity. Her performance is further proof that she is a consummate professional, a first-rate performer who is able to breathe life into second and third-rate characters.

Rounding out the film’s core trio is John Bradley, who steals the movie as an underestimated expert thrust into the dire situation due to his scientific competence. Throughout the film, there are many moments when the comedy beats fall flat, but Bradley’s comic skills shine every step of the way, giving the story a sense of comedic effectiveness. I also have to give props to Charlie Plummer. At first glance, Plummer’s role appears to be restricting, but thankfully, he does what he can with the role, giving us a nice look at his charming presence. The end result is a surprising arc that positively transforms the character on paper.

To conclude, I wasn’t expecting a great film, but in the long run, “Moonfall” exceeded my limited expectations. If you are looking for a new movie, check it out. It’s a good movie to watch with a crowd. And overall, it’s a fun experience!

My Opinion:

Good (level 3)

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Dillon McCarty
Mountain State Films ’N’ Tunes

is a film critic/social media manager for Mountain State Films ‘N’ Tunes. He also used to write film reviews for Incluvie and MU’s The Parthenon.