The Emotional, Impossible Season 5 Premiere of “Jane the Virgin”

The CW’s Jane the Virgin is back for its fifth and final season, causing Latinos everywhere to tearfully rejoice that we get more time with the Villanuevas, however limited. The founders of Mujeres Problemáticas discuss their thoughts on the season premiere and why this show is so great.

CRISTINA: I missed Jane so much! This is one of the rare shows that makes me feel seen and I’ve just been aching for it.

NICOLA: Agreed! This show will always and forever have a special place in my heart. For five seasons, the Villanuevas have been my favorite family on TV. I’m sad to see them go but so excited for this season.

CRISTINA: The premiere didn’t disappoint. It turns out Michael, Jane’s beloved, thought-dead husband is back but with amnesia. It’s classic telenovela and in true Jane the Virgin form, done with such a thoughtful, emotionally honest (and devastating) way. After all, we spent the second half of season three grieving Michael with Jane. So to see him come back just when Jane was getting happy again was rough. Add on to that the fact that he’s not really back. His body is, his smell even, but the man we knew is not.

NICOLA: I know. If I got a nickel every time a character on a telenovela got amnesia, I’d be a rich lady. But somehow one of the most overused tropes in the telenovela complex felt like the perfect choice to set up the season. Devastating for sure but excellent for storytelling. Jane has this history of seeing her life and relationships through romantic-novel rose glasses. So to have Jane, whose based much of her own narrative on finding, loving, losing, loving, then finally losing Michael (Jason) forces her to reflect and makes for very powerful television.

CRISTINA: Yes! And that power/pain was shown perfectly in the seven-page, single shot monologue Gina Rodriguez delivers, walking us through just how impossible her situation is. Is she married? Is she not? Who is this person who call himself Jason and likes dogs instead of cats? Why did this happen? How is she supposed to respond? Why does nothing make her feel better?

Watching it, I welled up several times but was so captivated by the performance it was like my tear ducts forgot how to cry. As her co-star Justin Baldoni said, if Gina doesn’t get all the awards, something is very wrong.

NICOLA: Totally agree, that monologue was not only technically crazy difficult but such a wonderful connection point between the audience and Jane. We’ve been with her for four seasons, watching her fall in and out of love, finding herself as a writer and as a mother, and dealing with unspeakable tragedy. And when we left her last season, it seemed like Jane was in such a good place. So this season, seeing her perform seven-pages of her rapidly asking all the questions we have, at a rate of about five questions per minute, felt like the perfect scene to connect us back to our favorite protagonist.

CRISTINA: Petra also had a fun B-plot this episode, dealing with her ex-husband Milos, getting dumped by Rosario Dawson’s JR, and being checked out by Jason/Michael. I love how they’ve rehabilitated her character, taking her from villain to hero without actually changing the core of who she is. I’m certainly rooting for her (and wishing I could pull off/access her wardrobe).

NICOLA: Petra’s character has always been one of my favorites and truly showcases the talent and intent of the Jane the Virgin writing team. I’m definitely sad to see that her relationship with JR might be over. Clearly, I am not ready to accept that one — we need more Rosario! I am excited to see Milos back and him in the teddy bear was hilarious. I could “bearly” stop laughing.

CRISTINA: Then there’s the matter of poor Rafael. He’s in the toughest spot here. Upon finding out that Michael was alive, he made the deal to bring him back for Jane even if meant sacrificing his relationship with her. It’s another impossible situation and one that Rafael deals with grace and honor, even as it’s clearly tearing him up inside. For me, it showed just how good Rafael is for Jane, even if she’s not always good for him. Nicola — what do you think? Time to join #TeamRafael?

NICOLA: Ugh I’m not sure. I’ve always been torn between the two. Mostly, because I love Jane so much and I’m fairly convinced there is no man good enough for her. That aside, I feel like it’s a incredibly difficult decision, one that the show creators crafted with complete knowledge of how confused and crazed they’d make Jane and us, the audience, feel. I do like the possibility of getting at a greater, more existential, question: can you truly compare two people you’ve loved?

Jane the Virgin has taught us a lot about the different forms that love can take and how love can transform and change people (cough Rafael cough). Jane and Michael had a wonderful relationship but it definitely took them awhile to get there. The same could be said of Jane and Rafael: they went through definite trials and tribulations and the Rafael from season one is definitely not the Rafael from this season. I genuinely feel at this point that you can’t compare the two: one’s from her past and one is in her present.

CRISTINA: I have no idea what Jane’s going to do but I doubt she’ll end up with “Jason,” unless he morphs back into Michael somehow. That said, the central question for me has never been what guy she picks, but rather how she finds happiness. And I loved seeing her process it all through writing. Also, that scene where she pushed her father out of the way so she could use the mirror was priceless. If Jane the Virgin has to end, can’t Rogelio get his own spin off?

NICOLA: I am definitely here for that! I could talk forever about what a gift Rogelio is to television, and how he does not get the credit he deserves. I feel like he definitely has earned a show of his own. Or maybe a crossover episode on the freshly renewed One Day at a Time? Dear TV networks I hope you’re taking notes.