25 Perfect Shots in Documentary

Nonfics
Nonfics
Published in
6 min readOct 28, 2016
doc-shots

In case you haven’t heard, our sister site Film School Rejects just announced acquisition of One Perfect Shot (@oneperfectshot), and the latter will be folding into FSR this week. In honor of the special occasion, Nonfics is sharing 25 favorite shots from documentaries, compiled by editors Christopher Campbell and Daniel Walber. These aren’t necessarily the best shots of all time and certainly isn’t the extent of what we love. Maybe we’ll do another list or 10 down the line. What this crop consists of are merely great, maybe even truly perfect shots from essential nonfiction films. Apologies if some aren’t the original aspect ratio or the best quality files. It’s not as easy to find doc shots online as it is fiction classics. We welcome you all to share your own favorites down below.

Samsara (2011)

Director of Photography: Ron Fricke

Director: Ron Fricke

Bagan, Myanmar, from above.

samsara-ops

The Russian Woodpecker (2015)

Director of Photography: Artem Ryzhykov

Director: Chad Gracia

Fedor Alexandrovich explores an abandoned building in Chernobyl.

russian-woodpecker-ops

Harlan County U.S.A. (1976)

Director of Photography: Kevin Keating and Hart Perry

Director: Barbara Kopple

Miners ride a conveyor belt into the mine.

harlan-county-ops

Employees Leaving the Lumiere Factory (1895)

Director of Photography: Louis Lumiere

Director: Louis Lumiere

Employees leave the Lumiere Factory.

workers-leaving-ops

Taxi to the Dark Side (2007)

Director of Photography: Maryse Alberti and Greg Andracke (below archival image photographed by Jehad Nga)

Director: Alex Gibney

American soldiers stand over a line of detainees during a dust storm in Iraq.

taxi-ops

Lessons of Darkness (1992)

Director of Photography: Paul Berriff and Rainer Klausmann

Director: Werner Herzog

Oil fires in Kuwait.

lessons-of-darkness-ops

Last Train Home (2009)

Director of Photography: Lixin Fan

Director: Lixin Fan

The Zhangs navigate through a huge crowd to the train that will take them back to their village for the holidays.

last_train_home_filmstill3

Portrait of Jason (1967)

Director of Photography: Jeri Sopanen

Director: Shirley Clarke

Jason Holliday continues to drink and smoke and tell his story, now in a sitting position on the floor.

Jason Holliday (Aaron Payne), star of Shirley Clarke's PORTRAIT OF JASON. A 1967 documentary restored by the Academy Film Archive and Milestone Film.

The King of Kong: A Fistful of Quarters (2007)

Director of Photography: Seth Gordon

Director: Seth Gordon

Billy Mitchell, real American villain, is introduced.

king-of-kong-ops

The Cove (2009)

Director of Photography: Brook Aitken

Director: Louie Psihoyos

The cove turns to a deep red as the slaughter of dolphins fills the waters with blood.

About 2300 dolphins are slaughtered for food every year in this secret cove near Taiji, Japan filmed with covert cameras by the Oceanic Preservation Society. Even though the meat is toxic the Japanese government sanctions the use of the mercury laced meat for school lunch programs. Secret Dolphin Cove in Taiji Japan, site of annual dolphin slaughter

Pour la Suite due Monde (1963)

Director of Photography: Michel Brault, Marcel Carriere, Bernard Gosselin and Pierre Perrault

Directors: Michel Brault and Pierre Perrault

Residents of L’Isle-aux-Coudres, Quebec, conduct a traditional Beluga Whale hunt.

pour-la-suite-du-monde

Don’t Look Back (1967)

Directors of Photography: Howard Alk, Jones Alk, Ed Emshwiller, D.A. Pennebaker

Director: D.A. Pennebaker

Bob Dylan presents another cue card in the music video for “Subterranean Homesick Blues” as Allen Ginsberg stands in the background.

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Waltz With Bashir (2008)

Director: Ari Folman

A soldier dreams of riding a giant naked woman out to sea.

bashir-ops

Shoah (1985)

Directors of Photography: Dominique Chapuis, Jimmy Glasberg, Phil Gries and William Lubtchansky

Director: Claude Lanzmann

The tracks leading to the entrance of the gate house at Birkenau.

shoah-ops

Titicut Follies (1967)

Director of Photography: John Marshall

Director: Frederick Wiseman

A patient-inmate of Bridgewater State Hospital plays trombone in the courtyard.

titicut-follies-ops

In the Street (1948)

Directors of Photography: Helen Levitt, Janice Loeb, James Agee

Directors: Helen Levitt, Janice Loeb, James Agee

An East Harlem boy dances in his Halloween costume.

in-the-street

Leviathan (2012)

Directors of Photography: Lucien Castaing-Taylor and Verena Paravel

Directors: Lucien Castaing-Taylor and Verena Paravel

A flock of birds flies past the fishing vessel.

leviathan-birds

F For Fake (1973)

Director of Photography: Francois Reichenbach

Director: Orson Welles

A pretty scene of Orson Welles and his reflections, but is it rare?

fforfake-ops

Man With a Movie Camera (1929)

Director of Photography: Mikhail Kaufman

Director: Dziga Vertov

A cameraman dominates the city he documents.

manwithamoviecamera-ops

From the East (1993)

Director of Photography: Bernard Delville and Raymond Fromont

Director: Chantal Akerman

A line of people watch the camera, somewhere in Eastern Europe.

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Gimme Shelter (1970)

Directors of Photography: Albert Maysles, David Maysles and Gary Weis

Directors: Albert Maysles and David Maysles

Mick Jagger fronts the Rolling Stones at Madison Square Garden before thousands of fans.

jaggerx

The Thin Blue Line (1988)

Directors of Photography: Robert Chappell and Stefan Czapsky

Director: Errol Morris

The literal and metaphoric smoking gun.

thinblueline-ops

Lousiana Story (1948)

Director of Photography: Richard Leacock

Director: Robert Flaherty

A Cajun boy navigates a Louisiana bayou.

louisiana-story

Marwencol (2010)

Directors of Photography: Jeff Malmberg, Tom Putnam, Matt Radecki and Kevin W. Walsh

Director: Jeff Malmberg

Mark Hogancamp’s action figure surrogate poses with his bride while four SS soldiers from their feet.

marwencol-ops

Koyaanisqatsi (1982)

Director of Photography: Ron Fricke

Director: Godfrey Reggio

The San Onofre Nuclear Generating Station overlooks sunbathers on a beach.*

koyaanisqatsi-ops

*Originally another image was featured here but it was determined not to be an actual shot from the film.

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