“Detroit Movie Review & Film Summary (2017) | Roger Ebert”
“Detroit” was directed, written, produced, shot, and edited by white creatives who do not understand the weight of the images they hone in on with an unflinching gaze.
“Detroit” is ultimately a confused film that has an ugliness reflected in its visual craft and narrative. Bigelow is adept at making the sharp crack of an officer’s gun against a black man’s face feel impactful but doesn’t understand the meaning of the emotional scars left behind or how they echo through American history. “Detroit” is a hollow spectacle, displaying rank racism and countless deaths that has nothing to say about race, the justice system, police brutality, or the city that gives it its title…
Bigelow has made a career out of zeroing in on the particular textures of American masculinity. It’s one of the reasons I particularly love her earlier work whether that be the sublime and unapologetically silly “Point Break” or the gloriously intense “Near Dark.” It’s this history that makes the surface level understanding of character so glaring”
