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Insights into open access and cultural heritage from a global perspective
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Introduction to Structured Rights Information: Rights Statements
Introduction to Structured Rights Information: Rights Statements
Join us on Thursday May 28th, 10 AM EDT — 2 PM UTC — 4 PM CET:
scann
May 19
Paris Musées adopte le libre accès pour ses collections
Paris Musées adopte le libre accès pour ses collections
La mise en ligne des collections numérisées de Paris Musées sous licence CC0 marque une nouvelle étape importante pour le libre accès des…
Europeana
Jan 24
Le Musée de Bretagne : Un pionnier du libre accès
Le Musée de Bretagne : Un pionnier du libre accès
En proposant des images du domaine public en haute résolution à télécharger et à utiliser sans restrictions, le musée de Bretagne est un…
Europeana
May 8
Bonjour le monde ! La Galerie nationale de Finlande ouvre ses collections
Bonjour le monde ! La Galerie nationale de Finlande ouvre ses colle...
La directrice de la gestion des collections, Riitta Ojanperä, nous commente ce qui motive la nouvelle politique de libre accès de la…
Europeana
Aug 4, 2019
Inside the Museum is Outside the Museum — Thoughts on Open Access and Organisational Culture
Inside the Museum is Outside the Museum — Thoughts on Open Access a...
What does “thinking digitally” mean in a cultural organisation and what has Open Access got to do with it?
Karin Glasemann
Mar 13
Recent stories
GLAM Collections on Social Media: Navigating Copyright Questions
GLAM Collections on Social Media: Navigating Copyright Questions
Join us on Thursday, 10 AM EDT — 2 PM UTC — 4 PM CET…
scann
Apr 23
#OpenGLAM now: an insight from Larissa Borck
#OpenGLAM now: an insight from Larissa Borck
We interviewed Larissa Borck last year, as she was preparing the webinar series “Open GLAM now!” for the Swedish National Heritage Board…
scann
Apr 22
Copyright & Open Access for GLAMs in the age of COVID-19
Copyright & Open Access for GLAMs in the age of COVID-19
A conversation with Andrea Wallace, Ariadna Matas and Sarah Pearson
scann
Apr 6
Copyright & Open Access for GLAMs in the age of COVID-19
Copyright & Open Access for GLAMs in the age of COVID-19
Join us on Thursday, 10 AM EDT — 2 PM UTC — 3 PM CET: https://global.gotomeeting.com/join/782940717
scann
Mar 24
Mana taonga, Mana tangata
Mana taonga, Mana tangata
How Auckland War Memorial Museum manages access and reuse of taonga Māori and Pacific images in our collections using indigenous frameworks
Zoë Richardson
Mar 11
A “cheatsheet” of GLAM licensing practices and Open Access policies
A “cheatsheet” of GLAM licensing practices and Open Access policies
In her last post in this series, Anne Young offers her thoughts on licensing practices and Open Access policies at GLAM institutions.
Anne Young
Mar 9
Research papers for Open GLAM: informing the Declaration on Open Access for Cultural Heritage
Research papers for Open GLAM: informing the Declaration on Open Ac...
If you’ve been following our Twitter account, engaging in our monthly calls, or following our website, you already know that we are in the…
scann
Mar 6
Open by default, closed by exception
Open by default, closed by exception
Auckland Museum’s five year journey to open its collections online
Victoria Passau
Mar 4
Bridging the gap: from no Open Access to some/all Open Access
Bridging the gap: from no Open Access to some/all Open Access
In the 3rd post of her 2nd series, Anne Young ponders what can you do when your GLAM wants to go Open Access but lacks capacity.
Anne Young
Mar 2
A journey into openness: an interview with Connecticut Digital Archive’s Mike Kemezis
A journey into openness: an interview with Connecticut Digital Arc...
Michael Kemezis is the Repository Manager at the Homer Babbidge Library at the University of Connecticut. He is in charge of the…
scann
Feb 28
Integrating Open Access in your GLAM institution
Integrating Open Access in your GLAM institution
In the second post of her second series, Anne Young shares some of the tools and programs professionals can use to integrate Open Access
Anne Young
Feb 24
Creating “Open GLAM now!”
Creating “Open GLAM now!”
What I learned by organising an international webinar series on open access
Larissa Borck
Feb 24
Implementing Open Access in GLAMs
Implementing Open Access in GLAMs
In her first series, Anne Young covered the essentials of rights and reproductions that are fundamental to Open Access. Here’s what’s next.
Anne Young
Feb 17
How do you decide which policy to implement?
How do you decide which policy to implement?
In her fourth post in a short series, Anne Young helps you navigate the different types of licensing schema GLAMs can might implement.
Anne Young
Feb 10
How to make rights determinations
How to make rights determinations
In her third post in a short series, Anne Young explores the practical details for doing some rights determinations.
Anne Young
Feb 3
What issues do Rights and Reproductions specialists need to consider?
What issues do Rights and Reproductions specialists need to consider?
In her second post in a short series, Anne Young analyzes the whole range of issues that a Rights and Reproductions specialist needs to…
Anne Young
Jan 27
Open for the World — open access at Taiwan’s National Palace Museum
Open for the World — open access at Taiwan’s National Palace Museum
Assistant Research Fellow Wendy, Wu-Yun Mao tells us how the open access policy was developed and what its impact has been.
Douglas McCarthy
Jan 24
Keeping digitised works in the public domain: how the European Copyright Directive makes it a…
Keeping digitised works in the public domain: how the European Copy...
The principle that works in the public domain should remain in the public domain is closer to being a reality in Europe thanks to…
Europeana
Jan 20
Making Copyright Determinations for Open Access in GLAMs
Making Copyright Determinations for Open Access in GLAMs
Welcome to the first post in a short series where Anne Young will present the underlying rights and reproductions practices that help…
Anne Young
Jan 20
Paris Musées embraces open access
Paris Musées embraces open access
In a major step towards greater open access in France, Paris Musées has just released its digital collections into the public domain
Europeana
Jan 8
Aprirsi al mondo — come la Pinacoteca di Brera ha cambiato la propria gestione delle immagini
Aprirsi al mondo — come la Pinacoteca di Brera ha cambiato la propr...
Intervista con Marco Toscano, responsabile della comunicazione della Pinacoteca di Brera
Marina Cotugno
Nov 6, 2019
Opening up to the world — developing the image policy of the Pinacoteca di Brera
Opening up to the world — developing the image policy of the Pinaco...
An interview with Marco Toscano, Communication Manager of the Pinacoteca di Brera
Marina Cotugno
Nov 5, 2019
Lo stato dell’arte del progetto Open GLAM
Lo stato dell’arte del progetto Open GLAM
Introduzione e traduzione italiana di Stefania Vecchio.
Douglas McCarthy
Oct 31, 2019
#OpenGLAMnow: an upcoming series of webinars to learn to do open at your institution
#OpenGLAMnow: an upcoming series of webinars to learn to do open at...
We interviewed Larissa Borck for the upcoming series of webinars that the National Heritage Board will be hosting around Open GLAM and how…
scann
Oct 10, 2019
Sharing cultural heritage in India
Sharing cultural heritage in India
Medhavi Gandhi is the founder of The Heritage Lab, a digital media platform for cultural heritage enthusiasts in India, and director of…
Douglas McCarthy
Sep 23, 2019
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