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AvoinGLAM’s response to the writing of Kimmo Levä, Director General of the Finnish National Gallery

AvoinGLAM’s response to the writing of Kimmo Levä, Director General of the Finnish National Gallery

Kimmo Levä, the new Director General of the Finnish National Gallery, wrote on 15 March in his blog post “Data is more important than the…
Go to the profile of Susanna Ånäs
Susanna Ånäs
Four years of the Open GLAM survey

Four years of the Open GLAM survey

Fresh insight, important updates and new visualisations into the global picture of open access to cultural heritage
Go to the profile of Douglas McCarthy
Douglas McCarthy
Balinese Wikisource (WikiPustaka) gives a new life to palm-leaf manuscripts

Balinese Wikisource (WikiPustaka) gives a new life to palm-leaf man...

Launched in 2021, Balinese Wikisource (WikiPustaka) has become the first Wikisource to be entirely based on handwritten manuscripts…
Go to the profile of Satdeep Gill
Satdeep Gill
Recent stories
What’s the latest picture of Open GLAM?

What’s the latest picture of Open GLAM?

As 2021 draws to a close, here is the latest picture of open access to cultural heritage (known as “Open GLAM”) around the world.
Go to the profile of Douglas McCarthy
Douglas McCarthy
The challenges of sustaining open access projects in Museum Musik Indonesia

The challenges of sustaining open access projects in Museum Musik I...

Go to the profile of FAIZZATUS SA'DIYAH
FAIZZATUS SA'DIYAH
Emerson’s ‘Nature’ and the commons

Emerson’s ‘Nature’ and the commons

Exploring Emerson’s understanding of landscape and the public commons, and how they relate to museums and open access in the digital realm
Go to the profile of Douglas McCarthy
Douglas McCarthy
Advocating open access to GLAM institutions on Wikimedia

Advocating open access to GLAM institutions on Wikimedia

An essay about advocating for Open GLAM submitted for the Creative Commons GLAM Certificate (Alpha test)
Go to the profile of Giovanna Fontenelle
Giovanna Fontenelle
Fondazione Alinari per la fotografia: l’accordo con il MIBAC non sceglie l’open access

Fondazione Alinari per la fotografia: l’accordo con il MIBAC non sc...

“Cosa si può imparare oggi dal fallimento del modello di business dell’azienda Alinari?”
Go to the profile of Deborah De Angelis
Deborah De Angelis
Open access denied: the Alinari Foundation’s agreement with the Italian Ministry of Culture

Open access denied: the Alinari Foundation’s agreement with the Ita...

Go to the profile of Deborah De Angelis
Deborah De Angelis
The Creative Commons Italian Chapter launches a common appeal to EU Member States and cultural…

The Creative Commons Italian Chapter launches a common appeal to EU...

Images of cultural heritage in the public domain belong to everybody
Go to the profile of Deborah De Angelis
Deborah De Angelis
Bibliography audit and data extraction

Bibliography audit and data extraction

In this article I walk through the process of retrieving author gender, origin and contact information from sources cited in a CC work.
Go to the profile of Diego de la Hera
Diego de la Hera
The case for Open Restitution — An Africa centred approach to restitution data

The case for Open Restitution — An Africa centred approach to resti...

“ It was at this moment this movie went from being good, to great ”
Go to the profile of Headstrong Historian
Headstrong Historian
The COVID-19 pandemic and Open GLAMs in Nigeria: impact, opportunities and challenges

The COVID-19 pandemic and Open GLAMs in Nigeria: impact, opportunit...

Helen Chuma-Okoro and David Ogbeidi
Go to the profile of Helenchuma
Helenchuma
Open GLAM in Indonesia: the Current Situation of Indonesian Digital Cultural Heritage

Open GLAM in Indonesia: the Current Situation of Indonesian Digital...

Around 1844, the Dutch Government introduced the intellectual property protection laws for the Dutch East Indies, now known as Indonesia…
Go to the profile of Biyanto Rebin
Biyanto Rebin
Openness As A Mindset — Retas Budaya Festival in Indonesia

Openness As A Mindset — Retas Budaya Festival in Indonesia

A review of the Indonesian cultural hackathon, Retas Budaya.
Go to the profile of Ivonne Kristiani
Ivonne Kristiani
Public Domain’s Provisions for Open GLAM Activities in Indonesia

Public Domain’s Provisions for Open GLAM Activities in Indonesia

There are around 2.200 public domain’s digital files from Indonesia using the PD mark in Wikimedia Commons repository. Most of those files…
Go to the profile of Fitriayu Penyalai
Fitriayu Penyalai
Expandiendo las prácticas abiertas: ¿Cómo transformar instituciones e incluir patrimonios locales?

Expandiendo las prácticas abiertas: ¿Cómo transformar instituciones...

Incluyendo más historias locales en la narrativa Open GLAM
Go to the profile of Virginia Brussa
Virginia Brussa
This is how the OpenGLAM logo was created

This is how the OpenGLAM logo was created

This article was written by Claudio Ruiz, Evelin Heidel and Manuel Córdova.
Go to the profile of claudio
claudio
Hack4OpenGLAM

Hack4OpenGLAM

Avoin GLAM — The Finnish Open GLAM working group has organized the Hack4FI Open GLAM hackathons since 2015. This year, in March, meals had…
Go to the profile of Susanna Ånäs
Susanna Ånäs
¿Cuándo acceso es acceso? ¿Cuánto acceso es acceso?

¿Cuándo acceso es acceso? ¿Cuánto acceso es acceso?

Go to the profile of Abierto/Público_CL
Abierto/Público_CL
After open access

After open access

What happens to a museum after it has gone open? We spoke to Linda Spurdle of Birmingham Museums Trust to find out.
Go to the profile of Douglas McCarthy
Douglas McCarthy
GIFs that keep on giving — a look back at GIF IT UP India

GIFs that keep on giving — a look back at GIF IT UP India

After organising India’s first ever cultural heritage animation contest, Medhavi Gandhi evaluates its success and impact
Go to the profile of Medhavi Gandhi
Medhavi Gandhi
Umfang und Grad von Open Access in Open GLAM-Institutionen

Umfang und Grad von Open Access in Open GLAM-Institutionen

Vor zwölf Monaten haben sich Andrea Wallace und ich auf eine Mission begeben, um herauszufinden, wie viele Kulturerbeinstitutionen ihre…
Go to the profile of Douglas McCarthy
Douglas McCarthy
Âmbito de Acesso Aberto em Open GLAM

Âmbito de Acesso Aberto em Open GLAM

Eu e a Andrea Wallace iniciamos há dozes meses um projeto que tem por objetivo identificar quais as instituições de património cultural e…
Go to the profile of Douglas McCarthy
Douglas McCarthy
Política e prática de licenciamento em Open GLAM

Política e prática de licenciamento em Open GLAM

Há doze meses, Andrea Wallace e eu começámos a descobrir quantas instituições de património cultural disponibilizam as suas colecções…
Go to the profile of Douglas McCarthy
Douglas McCarthy
Bringing the South Asian Heritage to the Internet: The Story Behind the Project Heritage GLAM

Bringing the South Asian Heritage to the Internet: The Story Behind...

Imagine finding one of the kind treasure-troves in the closed shelves of the libraries — from the first Punjabi encyclopedia and…
Go to the profile of Openheritagefoundation
Openheritagefoundation
Open GLAM at the CC Global Summit 2020

Open GLAM at the CC Global Summit 2020

This year, we had an amazing track of #OpenGLAM talks at the Creative Commons Global Summit.
Go to the profile of scann
scann
Condivisione online del patrimonio culturale delle Popolazioni Indigene: una panoramica delle…

Condivisione online del patrimonio culturale delle Popolazioni Indi...

Condivisione online del patrimonio culturale delle Popolazioni Indigene: una panoramica delle politiche GLAM
Go to the profile of Brigitte Vézina
Brigitte Vézina
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