Ryan Carver

Los Altos, California

August, 2013

Ryan Carver
Photographic Pairings
2 min readOct 3, 2013

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Somehow I managed a free afternoon, a car, and all of my gear. And in a new place with just enough time to find a good view for the sunset.

The Stanford Dish was close by and a nice little hike; I started driving. A few wrong turns later and I was on a country road heading somewhere else. I kept driving, the sun kept setting. I began to worry that I’d be stuck without a view as the last light faded.

I turn again, nothing. I drive up a hill; nowhere to stop. Suddenly I’m on the highway again; the sun is setting fast. I take the next exit, turn down a street and fully expect that this is going to be a bust. It is; I three point turn and am about to backtrack when I see this: this house.

It’s utterly depressing. Alone, on a hill, away from the street. The yard is brown, unloved. The light is fading, but it’s perfect here. A hint of color tints the otherwise bland wall.

After covering my bases with the Hasselblad, I get up enough nerve to pull out the 4x5 to shoot with the P25. It’s an awkward process; so many things to do, so many parts to keep track of. But the image! I’m going to do this again.

View the photograph

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Photographic Pairings
Photographic Pairings

Published in Photographic Pairings

I prefer photographs to stand on their own, without clever titles or descriptions that influence the viewer. These stories are the counterpoint; my memories of the time, and reflections on the result.

Ryan Carver
Ryan Carver

Written by Ryan Carver

I make software, photographs, and rock music. Previously: VSCO, Adobe, Typekit, Google.