UFC 257 — Poirier vs. McGregor 2 [ 4KHD] STR 2021
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UFC 257: Poirier vs. McGregor” (2021) Full Fight: UFC 257: Poirier vs. McGregor 2 is an upcoming mixed martial arts event produced by the Ultimate Fighting Championship that will take place on January 23, 2021, at the Flash Forum on Yas Island, Abu Dhabi, United Arab Emirates. Lightweight Dustin Poirier vs. Conor McGregor Women’s Flyweight Jessica Eye vs. Joanne Calderwood Khalil Rountree Jr. vs. Marcin Prachnio Marina Rodriguez vs. Amanda Ribas Brad Tavares vs. Antônio Carlos Júnior Matt Frevola vs. Ottman Azaitar Shane Burgos vs. Hakeem Dawodu
UFC 257: Poirier vs. McGregor (2021) full fightonline : The sagas (from Icelandic saga, plural sögur) are stories about ancient Scandinavian and Germanic history, about early Viking voyages, about migration to Iceland, and of feuds between Icelandic families. These were written in the Old Norse language, mainly in Iceland. The texts are epic tales in prose, often with stanzas or whole poems in alliterative verse embedded in the text, of heroic deeds of days over, tales of worthy men, who were often Vikings, sometimes Pagan, sometimes Christian. The tales are usually realistic, except legendary sagas, sagas of saints, sagas of bishops and translated or recomposed romances. They are sometimes romanticised and fantastic, but always dealing with human beings you can understand.
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(UFC 257: Poirier vs. McGregor had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire Fightexplaining that Blight was a viral bacteria:
“Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”).
I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially.
I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on.
Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first UFC 257: Poirier vs. McGregor around.
Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this Fightat the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this Fightis just a “masterpiece” which takes the legacy of Christopher Nolan Forward
If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with UFC 257: Poirier vs. McGregor . His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this Fight. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine
Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the Fight
Gotta love the editing and post production which has been put into this Fight. I think its fair to say this Nolan film has focused more in its post production. The main problem in the Fightis the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the Fight. Other Nolan Fights had loud BGM too. But Audio and dialogues weren’t a problem
My humble request to everyone is to please let the Fightsink in your thoughts. Let your mind grasp all the elements of this Fight. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong.
UFC 257: Poirier vs. McGregor is the long awaited new Fightfrom Christopher Nolan. The Fightthat’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views.
John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat UFC 257: Poirier vs. McGregor .
This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale.
The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role.
Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond Fight: it felt like that was missing.
The ‘UFC 257: Poirier vs. McGregor y-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the Fight, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular.
Perhaps the best twist is hidden in the final line of the Fight. I only processed it on the way home.
And so to the first of my significant gripes with UFC 257: Poirier vs. McGregor . The sound mix in the Fightis all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to:
the ear-splitting volume of the sound: 2021 Fightaudiences are going to be suffering from ‘UFC 257: Poirier vs. McGregor is’! (LOL);
the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?);
a large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears.
Overall, watching this with subtitles at a special showing might be advisable!
OK, so I only have a PhD in Physics… but at UFC 257: Poirier vs. McGregor s I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “UFC 257: Poirier vs. McGregor ” there are McGuffins nested in McGuffins. So much of this is casually waved away as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv!
There are also gaps in the storyline that jar. The word “UFC 257: Poirier vs. McGregor ”? What does it mean. Is it just a password? I’m none the wiser.
The manic pace of UFC 257: Poirier vs. McGregor and the constant din means that the Fightgallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or the father/daughter separation of “UFC 257: Poirier vs. McGregor ”. In fact, you barely care for anyone in the Fight, perhaps with the exception of Kat.
It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole Fight, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years.
This is also a great performance by Robert Pattinson, in his most high-profile film in a long UFC 257: Poirier vs. McGregor , playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the Fight.
Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the UFC 257: Poirier vs. McGregor of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a Fightis a plus. He also gets to deliver the best killer line in the film about snobbery!
However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale.
So, given this was my most anticipated Fightof the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at UFC 257: Poirier vs. McGregor s and slightly disappointed at others. It’s a Fightwhich needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up.
(For the full graphical review, check out One Mann’s Fights on t’interweb and Facebook. Thanks.)
As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: UFC 257: Poirier vs. McGregor ’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the Fightthat UFC 257: Poirier vs. McGregor invites you to the fantastic storytelling by Christopher Nolan.
Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the Fight.
The idea of this Fightis damn fascinating, and while there are films that explore UFC 257: Poirier vs. McGregor -travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of UFC 257: Poirier vs. McGregor -travelling we’ve seen, and no less could’ve been expected from Nolan.
Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well.
In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the Fightis too complicated, but more that it was hard to make out was being said at UFC 257: Poirier vs. McGregor s. It felt like the Fightrequired subtitles, but that probably was because, at a UFC 257: Poirier vs. McGregor in the film, there was far too much exposition.
Nevertheless, I loved this film, I’ll be watching it at least two more UFC 257: Poirier vs. McGregor s, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement.
(4/5) & (8.5/10) for those that care about number scores.
At first, I want to ask Christopher Nolan one question, HOW THE HELL YOU DID THIS? Seriously I want to have an answer, How did he write such as this masterpiece! How did he get this complicated, fabulous and creative idea? What is going on in his mind? The story is written and directed perfectly, the narration style was absolutely unique. I have no idea how can anyone direct such as this story, that was a huge challenge, and as usual Nolan gave us a masterpiece that we’ll put beside (Memento), (Inception) and (UFC 257: Poirier vs. McGregor ) The Fightis so fast-paced in a good way, there was no boring moment. The chemistry between John David Washington and Robert Pattinson was great and funny and both of their performance was really good. Elizabeth Debicki performance was the best in the Fightbecause she had the chance to show her acting abilities and she cached up that chance and showed us an A level acting.
The music wasn’t unique and distinct as the music of UFC 257: Poirier vs. McGregor for example and I think this Fightneeded the touch of Hans Zimmer, I’m not saying that Ludwig Göransson failed but Hans Zimmer in another level.
If there was something I’d say that I didn’t like it in the Fightwould it be that Nolan discarded any set up or characters backgrounds except Elizabeth Debicki dramatic story but it wasn’t that bad for me, I didn’t care about that, the exciting story didn’t give me the chance to focus on it. But the actual problem was the third act, it was really complicated and I got lost and I convinced myself to discard the questions that were in my head and enjoy the well-made action sequences and Elizabeth Debicki performance.
I think this kind of Fightthat gets better with a second and third watch.
I honestly don’t quite know where to begin with UFC 257: Poirier vs. McGregor . I love Christopher Nolan’s work but I have never seen a more complicated film (and I understood Memento). After nearly three hours, I came away from UFC 257: Poirier vs. McGregor not knowing myself, my mind reduced to nothing more than piles of ash.
Was there UFC 257: Poirier vs. McGregor travel involved? Hmm, there was definitely something about UFC 257: Poirier vs. McGregor inversion. I mean, does Nolan even understand what he wrote? Look, I give credit to the director because he’s one of the few directors left who knows how to create a compelling and intelligent blockbuster. UFC 257: Poirier vs. McGregor is full of Nolan trademarks — the gratuitous Michael Caine cameo, a loud, really loud score, complete with stunning cinematography and slickly inventive action set-pieces.
This UFC 257: Poirier vs. McGregor around however, Nolan has finally managed to ‘out-Nolan’ himself: the palindromic plot, whilst creatively ambitious, is simply far too complicated for its own good. UFC 257: Poirier vs. McGregor is overlong, overstuffed, pretentious and too exhausting to comprehend in its entirety — it makes Inception and UFC 257: Poirier vs. McGregor look like Peppa Pig by comparison.
I’m aware of the technical wizardry and creative mastery in this film and lord knows I’ll have to watch this again. For those who want a puzzle, UFC 257: Poirier vs. McGregor at least provides a unique cinematic experience. But to actually enjoy solving it Nolan wants you to work very very hard
