Do you đ¤ Meghan Markleâs Xmas cardâs graphics achieves everything which Private Eyeâs was trying to, but misses?
Most âNew Britonsâ (or anyone not steeped in retrograde images of Enid Blyton 1950s culture) wouldnât âgetâ the âgrammarâ of Private Eyeâs ânostalgicâ graphics.
Itâs hardly witty.
It promotes & encodes an exclusionary All White vision of Britishness that was out-of-date in the 1950s.
Itâs even anti-science, by blaming đ´ó §ó ˘ó Ľó Žó §ó żâs chief medical officer đŠđžâđŹ Chris Whitty instead of the govt for cancelling Xmas.
By contrast, with Meghanâs card, you donât need to be steeped in or even be aware of nostalgic Enid Blyton aesthetics to understand the âgrammarâ of the style or the meaning of the images in her card.
Indeed, the truly witty point of its Enid Blytonness is that this modern đŹđ§ â đşđ¸ family that it depicts is the precise opposite of the racist imagery that was sadly smuggled into our bedtime stories by Enid Blytonâs đ growing up!
Meghanâs card works for anyone.
Private Eyeâs cover is actually quite off-putting; the opposite of âinclusiveâ & clearly only intended for a narrow market segment.
PE needs a new graphic designer, imho.
Happy holidays, if youâređ enough to have them.
If not đđžđ
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