The Joy of Trans Creation
On the liberty of making unapologetically transgender art.
For me as a child, there was no real transgender representation around me.
Transfeminine characters were exciting when I saw them, even though they were frequently the butt of jokes, highly sexualised, or the targets of violence from the narratives they appeared in. They were never afforded complex character arcs, and I can’t recall any trans women on my screens or on the pages of the books appearing for more than an episode or in small appearance before being killed or disappearing off-screen.
And trans men?
Nothing.
In the British soap series, Waterloo Road, there was a narrative about a trans guy that started when I was a young teenager myself, and it was… difficult. The narrative was clumsy and uninformed about trans experiences. It seemed more about cisgender parents’ anxieties about their trans children and was very conservative in extending liberty or freedom to the trans guy’s life or his body. He was sporty, a football player, and dykey — he was presented almost as if he was transitioning just to play sports.
And the obvious inspiration for this Waterloo Road plot, She’s The Man (2006) was…
