Handling Objects

Sarai Vardi
Special Collections
5 min readJun 24, 2021
Various different John Wesley ceramics on display on a wooden shelf, including figurines of the Methodist leader, plates, jugs, bowls and effigies.
Wesley ceramics on display

Handling heritage objects with care is an important aspect of their long-term preservation. Where possible, try to avoid unnecessary handling and take a researcher to the object, rather than the object to the researcher.

  • Place the object on a safe, flat, clean surface (i.e. a tray lined with Plastazote) to view it.
  • Examine the object before handling, to establish strong and weak areas. Be aware that visually intact surfaces can hide fragile interiors (i.e. a piece of wood may have been tunnelled by insects).
  • Evaluate the presence of hazards (i.e. toxic substances, sharp edges). If dealing with hazardous materials or if in doubt, consult Collection Care. Additional PPE can be provided.
  • It is essential to display warning labels in the storage areas stating the hazards connected with risky objects.
  • Do not lift objects by the handles (as these could be damaged, worn or loose) and remove any loose parts as these should be handled separately.
  • Use both hands to carry one object at a time, placing them at the strongest point to support its weight. The strongest point is usually the base of the object.
A conservator wearing purple nitrile gloves treats a bronze bust of Enriquetta Rylands with a cotton swab.
A conservator treating a bronze bust whilst wearing gloves

Always wear nitrile gloves to handle objects as the natural salts and oils from hands can mark and damage clean surfaces. Gloves are especially important for:

  • Bone and Ivory: easily damaged by finger marks, sweat and moisture from the hands
  • Ceramics: unglazed (e.g. earthen ware and biscuit ware) and porous surfaces are easily stained
  • Metals: corrode with exposure to moisture and salts
  • Decorated surfaces: gilded leather, painting frames and furniture. Gilding may be unstable and easily come off
  • Plastics: degradation products formed on the surface may be toxic

Guides by material:

  1. Stones and Minerals
  2. Bone and Ivory
  3. Ceramics and Glass
  4. Wood
  5. Textiles
  6. Leather
  7. Modern Plastics
  8. Metals

Stone and Minerals

A rectangular clay tablet with cuneiform (meaning wedge-shaped) Neo-sumarian script written on it, dating from 2100–2000 BC. This was done by pressing a reed pen or stylus with a wedge-shaped tip into the semi dried clay surface.
Neo Sumerian economic text
  • Stone is most at risk when being set down. Make sure work surface is well padded before moving the item.
  • Ensure the environment is stable- soluble salts in clay tablets react quickly when in contact with moisture, resulting in delamination and loss of object surface.

Bone and Ivory

2 effigies- 1 large and 1 small- of the 18th-century Methodist leader John Wesley made out of horse vertebrae which have been hand painted to resemble the cleric in his black clergy robes giving a sermon.
Horse bone effigies of John Wesley

Carved bone or ivory pieces may be very thin and fragile, and protruding decoration can be easily damaged, so please handle with care.

  • Ivory is easily stained and must not be left in contact with metals such as iron, copper, brass and any coloured materials.

Ceramics and Glass

Sand shaker belonging to Elisabeth Gaskell, the body is made of colourless glass and the top and bottom are made of metal. There are small heart shaped holes at the top where the sand can be shaken out on to a handwritten letter to help dry the ink.
E. Gaskell’s sand shaker

The biggest risk to glass and ceramics is breakage. Check for any points of weakness or fractures before handling, never lift the object by the handles or rim and always place items on a well-padded surface.

Ceramics may have visible fractures. Check glass for these common signs of degradation:

  • Crizzling: a network of fine cracks within the glass.
  • Weeping: the glass may look foggy/the surface is slightly damp or has a soapy feel.

Wood

Curio from Isabella Banks collection; a small piece of wood from the Willow tree which grew over the grave of Napoleon I at St. Helena. It was cut down when the body was exhumed and removed to Paris. A slip of paper with handwritten text describing the curio has been attached to the upper edge of the wood.
Weeping Willow at Napoleon’s grave
  • Wooden objects may have fragile areas that are not obvious such as well disguised old repairs or worm eaten areas.
  • Furniture should not be grasped by handles, arms or carved decorations, but always handled by the base and lifted by two or more people depending on the weight.

Textiles

Curio from Isabella Banks’ collection; a pair of 19th century silk slippers from Shanghai with an elaborate pattern of purple, orange, cream, green and red silk
Silk shoes, E.L. Burney Collection
  • Antique textiles are weaker than their modern counterpart and very sensitive to degradation during handling.
  • Old fibres can lose their elasticity and become brittle; they can snap easily and regardless of appearance should be handled as if they were fragile.

Leather

Cheshire poet Adam Johnson’s baby shoes made of cream leather with a button clasp, dating from the 1960s.
Baby shoes
  • Leather objects may be thin, brittle or have a soft surface which can be easily abraded.
  • Leather can be susceptible to mould: wear gloves to protect leather from micro-organisms found on hands.
  • Some leather objects may have lost their flexibility: never try and bend these back into shape.

Modern Plastics

Plastic protest badge. Red and black design on yellow circular badge, with text reading Anti Nazi League; Stop the NF Nazis!
Plastic Anti Nazi League protect badge

Plastic objects may be more brittle than they first appear and can shatter if bumped against a surface. Plastics maybe unstable and tend to degrade very quickly, off-gassing pollutants called VOCs (volatile organic compounds) as they age.

  • Store separately to other collection items and away from excessive heat and light.
  • Handle one at a time and ensure your work surface is well padded with plastazote.
  • Plastics are easily scratched. Small loose plastic items may have metal components (e.g. badges). Store these individually to protect other collection items.

Metals

Silver casket, engraved with images of the John Rylands Library, with feet and an elaborate top piece made up of 2 sea creatures holding up a crest. The casket was presented to Mrs Enriqueta Augustina Rylands in October 1899, along with a scroll bearing the Freedom of the City of Manchester. In this image it sits in the Collection Care lab on a padded surface, waiting treatment.
Metal casket on a padded surface

Metals may be stronger than other materials, but even the hardest metal can be physically damaged by inappropriate handling.

  • Always handle with both hands to support the objects weight. ​
  • Ask a colleague for help with heavy items.
  • Handle with any sharp edges pointed away from you.
  • Keep silver away from velvet to prevent tarnishing from off-gassing.
  • Most common metals develop a coating of metal oxide (patina) as they age. This begins as a transparent layer and can become more visible as it thickens. ​Do not attempt to rub off the patina as it protects the metal from corrosion.

Images reproduced with the permission of The John Rylands University Librarian and Director of the University of Manchester Library. All images used on this page are licenced via CC-BY-NC-SA, for further information about each image, please follow the link in the description.

If you are interested in using any material from Special Collections please get in contact with our Reading Room staff : uml.special-collections@manchester.ac.uk

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Sarai Vardi
Special Collections

Book and Paper Conservator at the University of Manchester Libraries