The production company is also annoyed with the story industry.
Hello. I am KCOD.
Today, before the production company talks about why Storichain should be used,
I’m going to try to picture the annoyance that the production company and the producer feel in the story industry.
Especially, I easily organized the message because I’m so into the fun of animated image these days.
Let’s start with today’s topic.
The problem of the story industry that the production company has?
The production company is the secondary processing company based on the story of webtoon, drama, movie, and publishing.
Although the production company’s activities seem to be monopolizing profits from the outside, I don’t think they have anything to say either.
First, they lack data to find a good story.
As a production company, good stories have nothing to do with the Nobel Prize or perfection.
The key is whether or not you can hit the jackpot with a simple investment.
If I take the movie as an example, considering the issues of the time, the audience’s needs, and the age group, you start shooting with a plan at least three years ago. However, since there is not a good place to get this data, the same kind of movie is made based on the experience data of past hits.
Second, in this uncertain situation, they have to pay the author first.
I’m not sure. I don’t think the terms of the contract are good
Therefore, the work begins with complaints from both the production company and the writer. In addition to not being able to handle all the risks, the production company will contract with a turnkey as possible, as long as it does not receive the rights to the story in batches, as it may be tangled by the author’s.
Third, the bad look of Middleman, who is responsible for all the risks
Most production companies, except for major ones, don’t have all the resources to go into filmmaking or publishing. They have to raise the funds somewhere. Without knowing this, the success of the first and second films seems to have dominated the public eye. In fact, the success of the first and second films is the basis for the other 10 films.
It’s a problem that no one in the story industry can be happy with.
