How to Get the Most From the Hemingway App

Your writing needs to be clear, but so does your voice!

Diane Corso
The Startup
3 min readJul 28, 2020

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Photo by Glenn Carstens-Peters on Unsplash

I’m on the third round of edits of my latest novel, a supernatural thriller told in the first person, present tense. This is a first for me in all of the above. To help police myself, I downloaded the Hemingway Editing App.

It was an eye-opener.

The app claims to help make your writing tighter and clearer by pointing out potential unnecessary or excess verbiage. It highlights adverbs and qualifiers, telling you just how many you should have (I will always have way too many of both!), as well as how many times you slip into passive voice (not a huge problem for me). But the kicker is seeing how many of your sentences range from “difficult to read” to “very difficult to read.”

But don’t let the number of “difficult/very difficult to read” sentences in your story discourage you! It’s natural to want to fix all of them. But I have to warn you: just because a sentence is compound or longer than it might be doesn’t mean you should chop it up into three short, clear, but devoid of character sentences.

For me, it’s helpful to have an app that will point out whether a sentence is difficult to read, because sometimes it’s correct. I may have erred by switching the tense or other grammatical error. Or I may have written a run-on sentence that could be a lot shorter, and/or a lot clearer.

But sometimes, it’s okay as it is. Or maybe it needs some minor corrections before moving on. If it’s a fiction piece, when I’m writing as people speak, it’s okay if it’s incorrect. The point is, can the reader understand it? That’s the hundred dollar question.

Think of it this way: it’s like an annoying workshop member who’s asking you, “Did you mean to say it like this?” only it’s got a good point much of the time. Read it over. If the answer is YES, then move on and don’t kill it with oversimplification. If the answer is NO — or worse, I HAVE NO IDEA WHAT I’M TRYING TO SAY HERE — then it’s time to hone that sentence structure.

Like so many writing tools out there on the market, this is one I find very helpful in targeting sentence structure that could use some work. The beauty of it is that it does not just spit out a correct option, because there isn’t one. You have to do the work, give it thought, and review the revision. That way, it’s still your voice and your work, not some algorithm-created botspeak.

So go out there and create. Then edit. And then, edit some more. Use all the tools you can to help you…but don’t let them kill your voice in the process.

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