InImmersebyAndrea KimThe Weight of Virtual Reality: An Interview with Minhyuk CheThe SK Telecom VR/AR producer discusses narrative forms in social VR, asymmetric storytelling, and public-private partnershipsDec 29, 2021
InCinematicVRbydee harveyNotes on Notes on Blindness: the VR ExperienceOn Thursday afternoon I got to switch off from the world for a short time and immerse myself in a VR story. And what a treat it was.Jun 15, 2016
Navah Berg — Social MediaSocial VR Rundown💃 with @doubleeyepro on Award-Winning VR Dance Experience Runnin’Lights, Volumetric Capture, Action! Kiira Benzing of Double Eye Studios transported into the social VR platform, Facebook Spaces, to talk…Apr 14, 2019Apr 14, 2019
InHidden InnovationbyKelsey ShanahanThe responsibility of VR content creators in the public domainA review of the David Attenborough Great Barrier Reef VR ExperienceJun 5, 2016Jun 5, 2016
Clyde DeSouzaThe Limit VR — movie review: Move fast and break everythingI haven’t paid for a VR movie before; I felt no need to as most experiences were free. But when a big name Hollywood pioneer like Robert…Dec 10, 2018Dec 10, 2018
InImmersebyAndrea KimThe Weight of Virtual Reality: An Interview with Minhyuk CheThe SK Telecom VR/AR producer discusses narrative forms in social VR, asymmetric storytelling, and public-private partnershipsDec 29, 2021
InCinematicVRbydee harveyNotes on Notes on Blindness: the VR ExperienceOn Thursday afternoon I got to switch off from the world for a short time and immerse myself in a VR story. And what a treat it was.Jun 15, 2016
Navah Berg — Social MediaSocial VR Rundown💃 with @doubleeyepro on Award-Winning VR Dance Experience Runnin’Lights, Volumetric Capture, Action! Kiira Benzing of Double Eye Studios transported into the social VR platform, Facebook Spaces, to talk…Apr 14, 2019
InHidden InnovationbyKelsey ShanahanThe responsibility of VR content creators in the public domainA review of the David Attenborough Great Barrier Reef VR ExperienceJun 5, 2016
Clyde DeSouzaThe Limit VR — movie review: Move fast and break everythingI haven’t paid for a VR movie before; I felt no need to as most experiences were free. But when a big name Hollywood pioneer like Robert…Dec 10, 2018
Philipp MaasThe Quest for new types of contentEven though I started my career in the nascent VR industry well over four years ago, last week I attended my first Oculus Connect.Oct 7, 2018
storycentralStoryWorld 3.0 : Topics, Talks & Titles — Brian Seth Hurst, StoryTech ImmersiveBrian Seth Hurst : http://www.storytechimmersive.comMay 17, 2018
InELEKS BLOGbyELEKSVR vs AR, MR, CR: What’s the Difference for Business?Even though extended reality technologies started flooding into the tech landscape decades ago, many businesses are still unclear about…May 17, 2018