Keavy Handley-ByrneBook Review: Ahndraya Parlato’s “Who Is Changed and Who Is Dead” — RoundLemonIn the late 19th century, photography was often an arduously slow process, with long exposure times even in brightly lit situations. One…May 7
Scott “Sourdough” PowerSantina Amato: This Woman’s Work is a Labor of Love [Interview]Dec 7, 2023Dec 7, 2023
then there was usThe Process — Maria Meco | then there was us.Maria Meco is a Bristol based Spanish photographer. Currently studying a degree at UWE, Marias work marriages themes of documentary, fine…Mar 8, 2021Mar 8, 2021
Scott “Sourdough” PowerFrench Photographer Sophie Gamand and ‘The Invisible Wounds of Friendship’Nov 15, 2023Nov 15, 2023
Keavy Handley-ByrneBook Review: Ahndraya Parlato’s “Who Is Changed and Who Is Dead” — RoundLemonIn the late 19th century, photography was often an arduously slow process, with long exposure times even in brightly lit situations. One…May 7
then there was usThe Process — Maria Meco | then there was us.Maria Meco is a Bristol based Spanish photographer. Currently studying a degree at UWE, Marias work marriages themes of documentary, fine…Mar 8, 2021
Scott “Sourdough” PowerFrench Photographer Sophie Gamand and ‘The Invisible Wounds of Friendship’Nov 15, 2023
Rebecca JacobsArt Review: Between the Margins (Due South Co-op at the SE Center for Photography)Between the margins: what is left unsaid, things swept under the rug, the hours put in creating art between jobs and sleeping and waking…Mar 26, 2020
Scott “Sourdough” Power‘Divine Vessels’: Yasmina Safi Captures the Many Masks of Woman [Interview]Jul 17, 2023