Annlee EllingsonCineWomen: ‘The Fabulous Four’ flubs its linesPlus director Jocelyn Moorhouse’s debut ‘Proof,’ documentary ‘Sorry/Not Sorry,’ and my original review of ‘The Matrix’Aug 1
Annlee EllingsonCineWomen: Halina Reijn’s ‘Bodies Bodies Bodies’ isn’t your Gen X slasher flickPlus Lena Dunham’s ‘Sharp Stick’ and ‘Tiny Furniture’ and Věra Chytilová’s ‘Daisies’Sep 25, 2022
Annlee EllingsonCineWomen: Greta Gerwig’s ‘Barbie’ is everythingPlus her first film as a solo director, ‘Lady Bird,’ ‘Joy Ride’ by Adele Lim, and ‘The Deepest Breath’ by Laura McGannJul 31, 2023Jul 31, 2023
Annlee EllingsonCineWomen: Alice Guy-Blaché makes women’s film historyPlus ‘The World to Come’ by Mona Fastvold, ‘Moxie’ by Amy Poehler, and ‘Stray’ by Elizabeth LoApr 2, 2021Apr 2, 2021
Isabel Bishop‘Call Jane’ Should Be About Our Past, Not Our PresentWith reproductive rights under attack and the Midterms looming ahead of us, Call Jane could not be more perfectly timed. The film should be…Nov 2, 2022Nov 2, 2022
Annlee EllingsonCineWomen: ‘The Fabulous Four’ flubs its linesPlus director Jocelyn Moorhouse’s debut ‘Proof,’ documentary ‘Sorry/Not Sorry,’ and my original review of ‘The Matrix’Aug 1
Annlee EllingsonCineWomen: Halina Reijn’s ‘Bodies Bodies Bodies’ isn’t your Gen X slasher flickPlus Lena Dunham’s ‘Sharp Stick’ and ‘Tiny Furniture’ and Věra Chytilová’s ‘Daisies’Sep 25, 2022
Annlee EllingsonCineWomen: Greta Gerwig’s ‘Barbie’ is everythingPlus her first film as a solo director, ‘Lady Bird,’ ‘Joy Ride’ by Adele Lim, and ‘The Deepest Breath’ by Laura McGannJul 31, 2023
Annlee EllingsonCineWomen: Alice Guy-Blaché makes women’s film historyPlus ‘The World to Come’ by Mona Fastvold, ‘Moxie’ by Amy Poehler, and ‘Stray’ by Elizabeth LoApr 2, 2021
Isabel Bishop‘Call Jane’ Should Be About Our Past, Not Our PresentWith reproductive rights under attack and the Midterms looming ahead of us, Call Jane could not be more perfectly timed. The film should be…Nov 2, 2022
Annlee EllingsonCineWomen: Nia DaCosta works in classic Hollywood genres with ‘Candyman,’ ‘Little Woods’Plus ‘Respect’ by Liesl Tommy and ‘CODA’ by Sian HederSep 1, 2021
Nina's Film Notes“Fish Tank” — A continuous state of poetic immersionFish Tank is a film so focused that, despite its unspoken ambiguity, remains undoubtably clear, concise, and advancing. We deep dive into…Mar 15, 2022
Annlee EllingsonCineWomen: Sara Colangelo examines ‘Worth’ in big and ‘Little Accidents’Plus ‘The Mad Women’s Ball’ directed by Mélanie Laurent and ‘Real Women Have Curves’ directed by Patricia CardosoOct 1, 2021
