InDavid MannbyDavid MannReview | Sentimental assemblages: Stephané Conradie’s ‘Wegwysers deur die Blinkuur’It’s been a while since I wrote for Artthrob. After visiting the 2024 National Arts Festival in Makhanda, I wrote on Stephané Conradie’s…Sep 12
InDavid MannbyDavid MannReview | Namaste Bae: Blessings and KombuchaThis review was first published in Cue.Jul 27, 2023
InDavid MannbyDavid MannReview | Near and Far: journeying through a private collectionFor Wanted, I wrote about an exhibition of (mostly) South African landscape works in a rare public exhibition at the Keyes Art Mile.Jun 21Jun 21
InDavid MannbyDavid MannReview | Kunene and the King: Translating contemporary South African lifeThis review was first published on The Critter.Jul 4, 2022Jul 4, 2022
InDavid MannbyDavid MannReview | One plus one equals something else: Michael MacGarry at Everard ReadFor Wanted, I reviewed Michael MacGarry’s solo exhibition at Everard Read, The System Absorbs All Opposition.Jun 21Jun 21
InDavid MannbyDavid MannReview | Sentimental assemblages: Stephané Conradie’s ‘Wegwysers deur die Blinkuur’It’s been a while since I wrote for Artthrob. After visiting the 2024 National Arts Festival in Makhanda, I wrote on Stephané Conradie’s…Sep 12
InDavid MannbyDavid MannReview | Namaste Bae: Blessings and KombuchaThis review was first published in Cue.Jul 27, 2023
InDavid MannbyDavid MannReview | Near and Far: journeying through a private collectionFor Wanted, I wrote about an exhibition of (mostly) South African landscape works in a rare public exhibition at the Keyes Art Mile.Jun 21
InDavid MannbyDavid MannReview | Kunene and the King: Translating contemporary South African lifeThis review was first published on The Critter.Jul 4, 2022
InDavid MannbyDavid MannReview | One plus one equals something else: Michael MacGarry at Everard ReadFor Wanted, I reviewed Michael MacGarry’s solo exhibition at Everard Read, The System Absorbs All Opposition.Jun 21
InDavid MannbyDavid MannReview | Exploring the tensions of the everyday in Dan Nel’s ‘Once Removed’.Words by Dave Mann. Images courtesy of the artist.Mar 20, 2019
InDavid MannbyDavid MannFeature | Nurturing memory and materiality in Sepideh Mehraban’s artistic practiceIn February 2024, I visited Sepideh Mehraban in her Woodstock studio during the Cape Town Art Fair. We spoke about her practice, the…May 11
InDavid MannbyDavid MannFeature | Occupying the GalleryThe team behind Occupying the Gallery reached out to see if I could put together a few words on their process. I had a chat with Mary…Dec 11, 2023
