Orlando G. BregmanSome Thoughts on the State of Lesbian Filmmaking in the US (part 3 of 5)LGBTQ FILMS/ INFLUENCESAug 2, 2018
InThe Black List BlogbyKate HagenEssential Female Films: Kate Hagen on MARIE ANTOINETTE, MORVERN CALLAR, and MIKEY AND NICKYMar 30, 2016
Orlando G. BregmanSome Thoughts on the State of Lesbian Filmmaking in the US (part 4 of 5)The Crucial Importance of Trans-/ Gender Nonconforming Visibility and Representation In My YouthAug 2, 2018Aug 2, 2018
Orlando G. BregmanSome Thoughts on the State of Lesbian Filmmaking in the US (part 2 of 5)To read all 5 parts of the article, click on the links below:Aug 2, 2018Aug 2, 2018
Orlando G. BregmanSome Thoughts on the State of Lesbian Filmmaking in the US (part 5 of 5)CONCLUSIONAug 2, 2018Aug 2, 2018
Orlando G. BregmanSome Thoughts on the State of Lesbian Filmmaking in the US (part 3 of 5)LGBTQ FILMS/ INFLUENCESAug 2, 2018
InThe Black List BlogbyKate HagenEssential Female Films: Kate Hagen on MARIE ANTOINETTE, MORVERN CALLAR, and MIKEY AND NICKYMar 30, 2016
Orlando G. BregmanSome Thoughts on the State of Lesbian Filmmaking in the US (part 4 of 5)The Crucial Importance of Trans-/ Gender Nonconforming Visibility and Representation In My YouthAug 2, 2018
Orlando G. BregmanSome Thoughts on the State of Lesbian Filmmaking in the US (part 2 of 5)To read all 5 parts of the article, click on the links below:Aug 2, 2018
Orlando G. BregmanSome Thoughts on the State of Lesbian Filmmaking in the US (part 5 of 5)CONCLUSIONAug 2, 2018
Orlando G. BregmanSome Thoughts on the State of Lesbian Filmmaking in the US (part 1 of 5)INTROAug 2, 2018
Orlando G. BregmanA Few Notes On LGBTQ FilmmakingThis Article was originally published on June 16 2017, on medium.com/@gabriellabregmanSep 19, 2017
