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InCinemaniabyMartine NyxThe Art of Yorgos Lanthimos: Man or Animal?There is a recurrent theme unifying all of Yorgos Lanthimos’ films: what separates man from animal?Jun 16, 20232
ARTWORKS FellowsThe uninhibited and unapologetically pop cinema of the directorial duo Lida Vartziotis and Dimitris…Text by Tassos ChatzieffraimidisOct 19, 2023Oct 19, 2023
InSydneysBuzz The BlogbySydney LevineOf Evil and Truth: Alexandros Avranas On His Brilliantly Perverse “Miss Violence”Sep 8, 2014Sep 8, 2014
ARTWORKS FellowsWhere arthouse cinema meets box office success: behind the scenes of “Behind the Haystacks” with…Interview by Tassos ChatzieffraimidisJun 29, 2023Jun 29, 2023
ARTWORKS FellowsNicolas Vamvouklis in conversation with Konstantina KotzamaniNicolas Vamvouklis (NV): While preparing for our discussion, I came across your “Electric Swan” on ERT2. Although we may not be personally…Dec 14, 2023
InCinemaniabyMartine NyxThe Art of Yorgos Lanthimos: Man or Animal?There is a recurrent theme unifying all of Yorgos Lanthimos’ films: what separates man from animal?Jun 16, 20232
ARTWORKS FellowsThe uninhibited and unapologetically pop cinema of the directorial duo Lida Vartziotis and Dimitris…Text by Tassos ChatzieffraimidisOct 19, 2023
InSydneysBuzz The BlogbySydney LevineOf Evil and Truth: Alexandros Avranas On His Brilliantly Perverse “Miss Violence”Sep 8, 2014
ARTWORKS FellowsWhere arthouse cinema meets box office success: behind the scenes of “Behind the Haystacks” with…Interview by Tassos ChatzieffraimidisJun 29, 2023
CinéOtiumDirector Focus | Cinema of Yorgos Lanthimos — Part I. Directorial ThemesGreek Master of Dystopian CinemaJan 8, 2023
Baby F. BraccioliniIstoria mias kalpikis liras (The Counterfeit Coin, 1955)I was impressed by how self-aware this movie was. The funniest bits were always when the narrator interrupted the scenes to give us some…Apr 25, 2020
InBrief ConsiderationsbyMatt DeMartinoMovie Review | KinettaA brief look at Yorgos Lanthimos’ 2005 film, Kinetta.Jan 28, 20201
