ARTWORKS FellowsThe City as Orchestra, Language, Ritual.Text by Danai Giannoglou Copy edited by EG Figure of Speech (Geli Mademli & Eleanna Papathanasiadi)Dec 28, 2023Dec 28, 2023
ARTWORKS FellowsCaressing the viciousAn online correspondence between Ioanna Gerakidi and Iria Vrettou, tracing Vrettou’s artistic practice as a vessel for thinking across the…May 19, 2023May 19, 2023
ARTWORKS FellowsAthanasios Kanakis, State of Emergency: tokens of fragility defending a collective mode of…Essay by Christina PetkopoulouSep 25, 2023Sep 25, 2023
ARTWORKS FellowsThe City as Orchestra, Language, Ritual.Text by Danai Giannoglou Copy edited by EG Figure of Speech (Geli Mademli & Eleanna Papathanasiadi)Dec 28, 2023
ARTWORKS FellowsCaressing the viciousAn online correspondence between Ioanna Gerakidi and Iria Vrettou, tracing Vrettou’s artistic practice as a vessel for thinking across the…May 19, 2023
ARTWORKS FellowsAthanasios Kanakis, State of Emergency: tokens of fragility defending a collective mode of…Essay by Christina PetkopoulouSep 25, 2023
ARTWORKS FellowsTo be found in translation; doing things to/with dance with/to wordsBy Anastasio KoukoutasAug 10, 2023
ARTWORKS FellowsNicolas Vamvouklis in conversation with Eleni PapazoglouNicolas Vamvouklis (NV): Eleni, we first met a couple of summers ago at a beautiful olive grove in Lesvos. You participated in a program of…Aug 22, 2023
ARTWORKS FellowsStefania Orfanidou:Heaven is a place (A place where nothing nothing ever happens¹)Jun 8, 20231
