Shagun ThapliyalSeeing North Koreans Through South Korean Lenses: Shedding the Villain POVNorth Korea and South Korea are the two parts that have separated the peninsula since the end of World War Two. The two countries have…Jun 9
RuftyThe Unapologetic Broker of Evil: Analyzing the Complex Protagonist of Lady VengeancePark Chan-wook’s 3rd tour-de-force of visual storytelling, symbolic systems, and morally ambiguous characters is a haunting and…Mar 2, 2023
audreyNotes on “House of Hummingbird” (2018)To be a teenage girl is to be in constant reconstruction of meaning, and coming in terms with a world filled with shifting meanings around…Apr 25Apr 25
Ian PaukenDelving Down the Rabbit-Hole of Kim Min-heeSo, it is about the end of February. I had just seen ‘The Handmaiden’ a day or two prior. A movie stuck in my mind, it struck a chord with…Dec 16, 2023Dec 16, 2023
Shagun ThapliyalSeeing North Koreans Through South Korean Lenses: Shedding the Villain POVNorth Korea and South Korea are the two parts that have separated the peninsula since the end of World War Two. The two countries have…Jun 9
RuftyThe Unapologetic Broker of Evil: Analyzing the Complex Protagonist of Lady VengeancePark Chan-wook’s 3rd tour-de-force of visual storytelling, symbolic systems, and morally ambiguous characters is a haunting and…Mar 2, 2023
audreyNotes on “House of Hummingbird” (2018)To be a teenage girl is to be in constant reconstruction of meaning, and coming in terms with a world filled with shifting meanings around…Apr 25
Ian PaukenDelving Down the Rabbit-Hole of Kim Min-heeSo, it is about the end of February. I had just seen ‘The Handmaiden’ a day or two prior. A movie stuck in my mind, it struck a chord with…Dec 16, 2023
selyado (PH)Being Lost is Being Alive: Revisiting Lucky Chan SilChan Sil, 40, a thriving movie producer now suddenly jobless, faintly sings a song as she decides to stop over and sit in a nearby park:May 30, 2023