Colin Edwards‘L’Eclisse’ or — BOOM!?Vittoria (Monica Vitti) breaks-up with her fiancé. She walks through Rome’s EUR district to the stock exchange to meet her mother where…May 21
InThe CollectorbyMirko BožićArchitecture of Pleasure and PainSome houses are more than just a shelter; they’re also a state of mind.Aug 6, 20237
Najma AMichelangelo Antonioni’s Il deserto rosso or “Red Desert” (1964) Review“ There’s something terrible about reality, and I don’t know what it is.”Nov 9, 2021Nov 9, 2021
Colin Edwards‘The White Sheik’ or — Entering the ‘Loveworld’ of the Icons?Provincial newlyweds, Wanda (Brunella Bovo) and Ivan Cavalli (Leopoldo Trieste), arrive in Rome for their honeymoon so Ivan can introduce…May 8May 8
BarbareThe Semiotics Of LonelinessA field called semiotics investigates how signs are used in everyday life. It investigates phenomena across a range of disciplines from the…Apr 14, 2023Apr 14, 2023
Colin Edwards‘L’Eclisse’ or — BOOM!?Vittoria (Monica Vitti) breaks-up with her fiancé. She walks through Rome’s EUR district to the stock exchange to meet her mother where…May 21
InThe CollectorbyMirko BožićArchitecture of Pleasure and PainSome houses are more than just a shelter; they’re also a state of mind.Aug 6, 20237
Najma AMichelangelo Antonioni’s Il deserto rosso or “Red Desert” (1964) Review“ There’s something terrible about reality, and I don’t know what it is.”Nov 9, 2021
Colin Edwards‘The White Sheik’ or — Entering the ‘Loveworld’ of the Icons?Provincial newlyweds, Wanda (Brunella Bovo) and Ivan Cavalli (Leopoldo Trieste), arrive in Rome for their honeymoon so Ivan can introduce…May 8
BarbareThe Semiotics Of LonelinessA field called semiotics investigates how signs are used in everyday life. It investigates phenomena across a range of disciplines from the…Apr 14, 2023
Ramandeep JohalAntonioni and La NotteIn the opening shot of La Notte (1961), a downward movement of the camera along a high, glass building (Pirelli tower, a symbol of the…Aug 20, 2022
Colin Edwards‘Le Amiche’ or — Space Invaders?Before I dive into Antonioni’s ‘Le Amiche’ (1955) it would be handy for me to clearly define some of the highly technical language…Aug 8, 2022
InSmashcutbyMichael AtkinsonSmashcut 365: A Film a Day — Year 4, Week 15A Cinephile’s Guide to StreamingNov 5, 2021
