InCounter ArtsbyMatthew Frye CastilloWhat Happens When We Leave Traditional Models of Art Interpretation Behind?A MoMA/CLAGS class shows the possibilities of collective interpretation.Aug 34
Tyler GreenRe-visiting “Picasso: Guitars 1912–14” at MoMAForgive me a bit of self-indulgence.Nov 25, 2022
Maya Lewis HayreLittle Ghost Eating Bread is all of us as we go about our lives, performing tasks, moving from…The placard next to the painting reads: “Animated by Oppenheim’s dark sense of humor, it portrays a cartoon-like figure about to step off a…Mar 12Mar 12
Littéraire WandererMatisse’s Blue Woman and the Swimming Pool — and me crying at the New York MoMAMy first encounter with Henri Matisse’s Blue Woman — well, I call it the blue woman, which I think is a more fitting name, though…Jul 251Jul 251
InWrite A CatalystbyJohnsonCrazy behaviour at MoMA, NYC ruined my tripIncomprehensible lunacy in New York’s Museum of Modern ArtApr 155Apr 155
InCounter ArtsbyMatthew Frye CastilloWhat Happens When We Leave Traditional Models of Art Interpretation Behind?A MoMA/CLAGS class shows the possibilities of collective interpretation.Aug 34
Tyler GreenRe-visiting “Picasso: Guitars 1912–14” at MoMAForgive me a bit of self-indulgence.Nov 25, 2022
Maya Lewis HayreLittle Ghost Eating Bread is all of us as we go about our lives, performing tasks, moving from…The placard next to the painting reads: “Animated by Oppenheim’s dark sense of humor, it portrays a cartoon-like figure about to step off a…Mar 12
Littéraire WandererMatisse’s Blue Woman and the Swimming Pool — and me crying at the New York MoMAMy first encounter with Henri Matisse’s Blue Woman — well, I call it the blue woman, which I think is a more fitting name, though…Jul 251
InWrite A CatalystbyJohnsonCrazy behaviour at MoMA, NYC ruined my tripIncomprehensible lunacy in New York’s Museum of Modern ArtApr 155
