stephanie kwongReimagining our city from scratch: Home Sweet HomeBuilding a boathouse of our own at Tai KwunSep 22
Samson WongReflecting on Claire Bishop’s Participation and Spectacle 3: Should the socially engaged arts use…Note: This is the 3rd of a series of reflection on Claire Bishop’s chapter ‘Participation and Spectacle’, published in Nato Thompson’s…Apr 30, 2018
diggit magazineThe normativities of Mona Lisa and Leonardo Da Vinci: ‘participatory imitatio’ on /r/PlaceBy Inge BeekmansJun 10Jun 10
Samson WongReflecting on Claire Bishop’s Participation and Spectacle 1: Is our practice opposed to…Apr 16, 2018Apr 16, 2018
stephanie kwongReimagining our city from scratch: Home Sweet HomeBuilding a boathouse of our own at Tai KwunSep 22
Samson WongReflecting on Claire Bishop’s Participation and Spectacle 3: Should the socially engaged arts use…Note: This is the 3rd of a series of reflection on Claire Bishop’s chapter ‘Participation and Spectacle’, published in Nato Thompson’s…Apr 30, 2018
diggit magazineThe normativities of Mona Lisa and Leonardo Da Vinci: ‘participatory imitatio’ on /r/PlaceBy Inge BeekmansJun 10
Samson WongReflecting on Claire Bishop’s Participation and Spectacle 1: Is our practice opposed to…Apr 16, 2018
Samson WongReflecting on Claire Bishop’s Participation and Spectacle 2: Is the community arts doomed?Note: This is the 2nd of a series of reflection on Claire Bishop’s chapter ‘Participation and Spectacle’, published in Nato Thompson’s…Apr 23, 2018
InCosmic PropulsionsbyDorothy SantosDecember 19, 2021 ~ For JanetIt’s been a few weeks, but I taught your work to my students this past semester. In particular, I showed them the video documentation for…Dec 20, 2021
Memory and Memorycide of the Land‘Children of us all’ by Jessica RenfroChildren of us all (working concept for ‘Memory & Memoricide’ 2021)Nov 7, 2021
