diggit magazineThe normativities of Mona Lisa and Leonardo Da Vinci: ‘participatory imitatio’ on /r/PlaceBy Inge BeekmansJun 10
Samson WongReflecting on Claire Bishop’s Participation and Spectacle 3: Should the socially engaged arts use…Note: This is the 3rd of a series of reflection on Claire Bishop’s chapter ‘Participation and Spectacle’, published in Nato Thompson’s…Apr 30, 2018
One Art Centre_ Art with UsinArt with UsExhibition- Fragmented FolliesA Public Art Commission curated by Yuejia ZhouApr 22, 2020Apr 22, 2020
Dorothy SantosinCosmic PropulsionsDecember 19, 2021 ~ For JanetIt’s been a few weeks, but I taught your work to my students this past semester. In particular, I showed them the video documentation for…Dec 20, 2021Dec 20, 2021
diggit magazineThe normativities of Mona Lisa and Leonardo Da Vinci: ‘participatory imitatio’ on /r/PlaceBy Inge BeekmansJun 10
Samson WongReflecting on Claire Bishop’s Participation and Spectacle 3: Should the socially engaged arts use…Note: This is the 3rd of a series of reflection on Claire Bishop’s chapter ‘Participation and Spectacle’, published in Nato Thompson’s…Apr 30, 2018
One Art Centre_ Art with UsinArt with UsExhibition- Fragmented FolliesA Public Art Commission curated by Yuejia ZhouApr 22, 2020
Dorothy SantosinCosmic PropulsionsDecember 19, 2021 ~ For JanetIt’s been a few weeks, but I taught your work to my students this past semester. In particular, I showed them the video documentation for…Dec 20, 2021
Memory and Memorycide of the Land‘Children of us all’ by Jessica RenfroChildren of us all (working concept for ‘Memory & Memoricide’ 2021)Nov 7, 2021
Caits MeissnerIt’s All An Exercise in DreamingIn which I consider the gifts of prolonged discovery, gratitude for minor inconveniences, motorcycle rides, dancing with strangers and…Sep 5, 2021
Samson WongExhibition Review: Counting the DaysVerdict: This exhibition overcomes some of the pitfall of exhibitions of participatory art projects. Its strength lies in the stories that…Jul 23, 2018