Marc BarhaminCounter Arts‘Furiosa: A Mad Max Saga’ (2024)A Post-Apocalyptic Legend Transformed Into A Post-Modern Cinema MasterpieceJun 266
Sunil ManghaniinElectronic LifeAI, Music, Style: Can there be too much culture?At the heart of this article is a question about the artificial replication of ‘style’ and its significance for advanced ‘culture’’Mar 279
Ingvar GrijsKayfabe and Its Relevance TodayBarthes and Postmodernist Heterotopic Society by Gunnar Ash and Ingvar Grijs2d ago2d ago
Carl Georg Solberg, PhDindeterritorializationThe Curious Case of Psychology in the Postmodern EraExamining the discipline’s resistance to postmodern perspectivesApr 2411Apr 2411
Mary RoseWhere Have All the “Isms” Gone? or, Why We Don’t Have Art Movements In The 21st CenturyTake any introductory art history survey and you’ll know once you get to the nineteenth century you’re suddenly bombarded by a rapid…Mar 714Mar 714
Marc BarhaminCounter Arts‘Furiosa: A Mad Max Saga’ (2024)A Post-Apocalyptic Legend Transformed Into A Post-Modern Cinema MasterpieceJun 266
Sunil ManghaniinElectronic LifeAI, Music, Style: Can there be too much culture?At the heart of this article is a question about the artificial replication of ‘style’ and its significance for advanced ‘culture’’Mar 279
Ingvar GrijsKayfabe and Its Relevance TodayBarthes and Postmodernist Heterotopic Society by Gunnar Ash and Ingvar Grijs2d ago
Carl Georg Solberg, PhDindeterritorializationThe Curious Case of Psychology in the Postmodern EraExamining the discipline’s resistance to postmodern perspectivesApr 2411
Mary RoseWhere Have All the “Isms” Gone? or, Why We Don’t Have Art Movements In The 21st CenturyTake any introductory art history survey and you’ll know once you get to the nineteenth century you’re suddenly bombarded by a rapid…Mar 714
kgroReading Notes — 2666 by Roberto BolañoAfter devouring multiple amazing heavy-hitting books, including several Nobel Prize winners and underground cult classics, I found myself…2d ago
Tom BarrettinCounter ArtsRealism in Samuel Beckett’s ProseThis article explores Samuel Beckett’s retreat from realism from his 1934 novel to his 1979 & 1981 novellas.Mar 181
Aamatullah RajkotwalaWhy ‘Om Shanti Om’ is a Postmodern MasterpieceOm Shanti Om is a loved film. Most people I know believe it to be wildly entertaining, easy to watch, full of memorable dialogues and…Jun 7, 20233