Sarita Diang“Unser Held, Tristan!”: From a Tormented Colonial Anti-hero to Divine TransformationAll right, let’s talk about what’s nagging me for these past three months: “Tristan und Isolde”. Richard Wagner’s epic opera kicks off with…Jul 27Jul 27
Sarita DiangWhat Edward Said: “Barenboim and The Wagner Taboo”This article was originally published at Al-Ahram Weekly Online, 16 - 22 August 2001 Issue No.547 written by Edward Said. You can access…Jun 4Jun 4
Philosophen WegLeschnitz: A Symphony of Silesian Dreams and Wagnerian LegendsIn the heart of Silesia, nestled like a forgotten gem, lies the city of Leschnitz. This magical place, suspended between reality and…May 222May 222
John JankowskiWagner’s Anti-Semitism and German PhilosophyBy Katherine McGinity · Thursday, February 9, 2012Nov 22, 2023Nov 22, 2023
Rajarshi ChaudhuriBuddha Wagner Tagore and the Love Story of the Outcaste MaidenA timeless narrative of love, desire, and redemption drawn from ancient Buddhist tales.Oct 22, 20231Oct 22, 20231
John Michael CooperANTI-SEMITISM AND ANTI-JUDAISM IN ROMANTIC MUSIC (Part 2: Richard Wagner)Updated: a few seconds agoJul 5, 2023Jul 5, 2023
John WelfordGotterdamerung, by Richard Wagner: A Summary of the PlotThis is the fourth and final opera of the Ring CycleSep 8, 2022Sep 8, 2022
Memory Endurance LoveLate in MarchRead: TEMPE, DU STADT MEINER TRÄUME: Studies in Psychogeography, by Gregory StephensonMar 31, 2022Mar 31, 2022
Moritz GnannMy music dictionaryThoughts about Richard Wagner, Bayreuth and the RingMar 24, 2022Mar 24, 2022
