Loren KantorThe Survivor From Bel-AirBack in the 80s, I was a struggling young screenwriter willing to take any gig I could find. My father, a film producer, told me about a…Sep 5, 202316
Brock SwinsonWhy Goosebumps Needed to Grow UpAn interview with Nicholas Stoller and Rob Letterman.Nov 22Nov 22
InPicture PalacebyLoren KantorWhen Billy Wilder Met Raymond ChandlerIn 1943, writer/director Billy Wilder wanted to make a gritty film noir. He was under contract to Paramount Pictures and he told studio…May 1520May 1520
Brock SwinsonThe Writer’s Waiting RoomLast week I read Chase Jarvis describe a pattern he’s seen hundreds of times in both authors and screenwriters: creatives who want to hand…Oct 24Oct 24
Loren KantorThe Survivor From Bel-AirBack in the 80s, I was a struggling young screenwriter willing to take any gig I could find. My father, a film producer, told me about a…Sep 5, 202316
Brock SwinsonWhy Goosebumps Needed to Grow UpAn interview with Nicholas Stoller and Rob Letterman.Nov 22
InPicture PalacebyLoren KantorWhen Billy Wilder Met Raymond ChandlerIn 1943, writer/director Billy Wilder wanted to make a gritty film noir. He was under contract to Paramount Pictures and he told studio…May 1520
Brock SwinsonThe Writer’s Waiting RoomLast week I read Chase Jarvis describe a pattern he’s seen hundreds of times in both authors and screenwriters: creatives who want to hand…Oct 24
Directors SpotlightWhy Great Filmmakers Choose Character Over Plot?Have you ever searched on Google after watching a film that what’s the point of that film you just watched? Some of the best films that…Sep 8
InMuddyUmbyM. Nathan RobinsonIf This Is The Matrix, It Needs An EditMy copious notes for our exalted screenwriterAug 27
Macklin YoumansGetting into the TV Writing RoomOne of the best things you can do when you have a goal is make a plan. Be specific. Set actionable and attainable goals that will…Feb 2
