Owen SchaeferinCounter ArtsShould London’s West End Make Money, or Make Room?Long-running shows are taking up space but maybe that’s not such a bad thingJul 2310
Kayla HarrissThe Wizard of Oz stage show — Costume CritiqueThe campy, contemporary spin on the beloved tale has already dazzled dozens of audiences as part of its UK tour.Feb 19Feb 19
Owen SchaeferReview: Slave Play Holds a Mirror to Its AudiencesJeremy O. Harris’s challenging show arrives in London’s West EndAug 14Aug 14
Tom BarrettinCounter ArtsHadestown: Page to StageAn exploration of the West End musical Hadestown and its classical origins.Mar 56Mar 56
Owen SchaeferinCounter ArtsShould London’s West End Make Money, or Make Room?Long-running shows are taking up space but maybe that’s not such a bad thingJul 2310
Kayla HarrissThe Wizard of Oz stage show — Costume CritiqueThe campy, contemporary spin on the beloved tale has already dazzled dozens of audiences as part of its UK tour.Feb 19
Owen SchaeferReview: Slave Play Holds a Mirror to Its AudiencesJeremy O. Harris’s challenging show arrives in London’s West EndAug 14
Tom BarrettinCounter ArtsHadestown: Page to StageAn exploration of the West End musical Hadestown and its classical origins.Mar 56
Jake WiafeThe Beautiful Messy Love of ShiftersBenedict Lombe’s non-linear romance is the right play at the right timeAug 14
Sandy SwainSlotted Spoons Don’t Hold Much Soup (& Other Things Sondheim Taught Me) ReviewPoster by: Georgie Banks / GHJ CreativeJul 25
MaiaDear theatre people, this is what I mean when I say theatre is elitist…Why don’t people go to the theatre? And why don’t people care about theatre? Accesibility and elitism are not the same thing.Aug 5, 2020