Carol Self-learningOFFF Barcelona — notes from BUCK designIn April, I attended OFFF Barcelona 2024, a gathering for creatives and designers. I was greatly inspired by the speeches of many artists…Jun 15
CLSuei產品設計｜ZiSSO編織結構互動家具Woven structure interactive furnitureProduct Design產品設計 / Furniture Design家具設計Dec 11, 2023
InUX PlanetbyJeffrey LeeFigma step by step tutorial part 1 – Building a Login/Sign Up ScreenBeginner friendly tutorial teaching you how to design the Login/Sign Up screen and the design thinking behindJul 5, 20211Jul 5, 20211
FISHIMMERNotes: Interaction of Color[1963]-XVII薄膜色彩或我們所說的環境色，在最近幾年的cmf設計中大熱。我們不再是直視物體本身，而是在物品表面形成或自帶一層環境光或光暈，讓物品成為虛實結合的存在。Mar 18, 2020Mar 18, 2020
FISHIMMERNotes: Interaction of Color [1963]-XVXV The middle mixture again — intersecting colorsMar 12, 2020Mar 12, 2020
Carol Self-learningOFFF Barcelona — notes from BUCK designIn April, I attended OFFF Barcelona 2024, a gathering for creatives and designers. I was greatly inspired by the speeches of many artists…Jun 15
CLSuei產品設計｜ZiSSO編織結構互動家具Woven structure interactive furnitureProduct Design產品設計 / Furniture Design家具設計Dec 11, 2023
InUX PlanetbyJeffrey LeeFigma step by step tutorial part 1 – Building a Login/Sign Up ScreenBeginner friendly tutorial teaching you how to design the Login/Sign Up screen and the design thinking behindJul 5, 20211
FISHIMMERNotes: Interaction of Color[1963]-XVII薄膜色彩或我們所說的環境色，在最近幾年的cmf設計中大熱。我們不再是直視物體本身，而是在物品表面形成或自帶一層環境光或光暈，讓物品成為虛實結合的存在。Mar 18, 2020
FISHIMMERNotes: Interaction of Color [1963]-XVXV The middle mixture again — intersecting colorsMar 12, 2020
FISHIMMERNotes: Interaction of Color [1963]-XII-XIII如何理解一個顏色在明度和重量上的改變，它的速度和年齡也隨之改變？色彩本身具有明暗、重量、相對位置的對應關係，也具有年齡、速度的性質。如何表現老齡敏捷？如何表現低齡沈穩？以下是一個以綠色為例的主觀的排序，當我在構建這種對應關係的時候，是否也在構建一種基於色彩的偏見？Mar 8, 2020
FISHIMMERNotes: Interaction of Color [1963]-X基於加色混合獲得光的原理，UI設計更強調如何用暗色背景讓人眼在長時間的使用中仍覺舒適；基於減色混合丟失光的原理，CMF設計則更傾向將更多的光源或反光材料植入設計之中，讓幽暗的表面顯得靈動、輕巧。Mar 2, 2020
FISHIMMERNotes: Interaciton of Color [1963]-VII我們在CMF設計中常常會遇到這樣的困境：某個顏色比較小眾、或是主流難以接受，但因為潮流或營銷的需要，要增加到CMF設計中。此時就可以運用這個消減技巧，通過增加對比的方式，微妙的調整它的屬性，讓整體的色相、明度差值回歸到正常的平衡範圍中。Feb 23, 2020
![Notes: Interaction of Color[1963]-XVII](https://miro.medium.com/v2/resize:fill:160:106/format:webp/1*G8xnC6ZK9bqMNhLd6nntbg.jpeg)
![Notes: Interaction of Color [1963]-XV](https://miro.medium.com/v2/resize:fill:160:106/format:webp/1*retCj-j0YPk6nmZizwXqVQ.jpeg)
![Notes: Interaction of Color[1963]-XVII](https://miro.medium.com/v2/resize:fit:730/format:webp/1*G8xnC6ZK9bqMNhLd6nntbg.jpeg)
![Notes: Interaction of Color [1963]-XV](https://miro.medium.com/v2/resize:fit:730/format:webp/1*retCj-j0YPk6nmZizwXqVQ.jpeg)
![Notes: Interaction of Color [1963]-XII-XIII](https://miro.medium.com/v2/resize:fit:730/format:webp/1*kfIjfmG8o5QtsqLeLmShwg.png)
![Notes: Interaction of Color [1963]-X](https://miro.medium.com/v2/resize:fit:730/format:webp/1*BP5D1OfcbfcsG1OittVaTw.jpeg)
![Notes: Interaciton of Color [1963]-VII](https://miro.medium.com/v2/resize:fit:730/format:webp/1*9a24mKN-lneT99yvY85CwQ.png)