Gleitzeit Art
Moral relativism
The so-called art world if it exists in the present lives by the rule of hypocritical culture in which it emphasizes the “tolerance” and at the same time repels any criticism except the “politically incorrect”
Art critics are the new YES-man.
The post-modern mindset of a moral relativist tends to ‘mix and match’ the ideas wherever and however they come from. All the efforts only to blur the borders between reality and fantasy. While it is quite easy if one is innebriated enough. Why would it be the agenda of some postmodenism and its derivatives with post or after and back to forth.
The Invisible Paintings by Paul Jaisini serves the purpose of blurring the borders between reality and fantasy someone would insist. Paul Jaisini is the first contemporary American artist who brought the ideas of his invisible paintings to the world — wide public. The gleitzeit essays about Paul Jaisini’s oil paintings had entered the realm of people with the help of the early Internet since mid 90-s. The instance he had his collaborators networking — the ideas of his Invisible Paintings were spread everywhere like virus. At this point there’s a good amount of documented information for comprehensive understanding how Paul Jaisini had brought out the Invisible Art.
