LGBTQ+ Voices: Jameson Fitzpatrick

“A Poem for Pulse”

LGBTQ+ Voices Editor: Alexander Guidry

The amount of times I've heard "It's not even that difficult to be gay anymore I don't know what you're complaining about" and wished I had the words in this piece…read with care.

(Trigger Warnings: Distressing Themes, Homophobic Violence, hate crimes)

A Poem for Pulse: Jameson Fitzpatrick

Last night, I went to a gay bar

with a man I love a little.

After dinner, we had a drink.

We sat in the far-back of the big backyard

and he asked, What will we do when this place closes?

I don’t think it’s going anywhere any time soon, I said,

though the crowd was slow for a Saturday,

and he said — Yes, but one day. Where will we go?

He walked me the half-block home

and kissed me goodnight on my stoop —

properly: not too quick, close enough

our stomachs pressed together

in a second sort of kiss.

I live next to a bar that’s not a gay bar

— we just call those bars, I guess —

and because it is popular

and because I live on a busy street,

there are always people who aren’t queer people

on the sidewalk on weekend nights.

Just people, I guess.

They were there last night.

As I kissed this man I was aware of them watching

and of myself wondering whether or not they were just.

But I didn’t let myself feel scared, I kissed him

exactly as I wanted to, as I would have without an audience,

because I decided many years ago to refuse this fear —

an act of resistance. I left

the idea of hate out on the stoop and went inside,

to sleep, early and drunk and happy.

While I slept, a man went to a gay club

with two guns and killed forty-nine people.

Today in an interview, his father said he had been disturbed

recently by the sight of two men kissing.

What a strange power to be cursed with:

for the proof of men’s desire to move men to violence.

What’s a single kiss? I’ve had kisses

no one has ever known about, so many

kisses without consequence —

but there is a place you can’t outrun,

whoever you are.

There will be a time when.

It might be a bullet, suddenly.

The sound of it. Many.

One man, two guns, fifty dead —

Two men kissing. Last night

I can’t get away from, imagining it, them,

the people there to dance and laugh and drink,

who didn’t believe they’d die, who couldn’t have.

How else can you have a good time?

How else can you live?

There must have been two men kissing

for the first time last night, and for the last,

and two women, too, and two people who were neither.

Brown people, which cannot be a coincidence in this country

which is a racist country, which is gun country.

Today I’m thinking of the Bernie Boston photograph

Flower Power, of the Vietnam protestor placing carnations

in the rifles of the National Guard,

and wishing for a gesture as queer and simple.

The protester in the photo was gay, you know,

he went by Hibiscus and died of AIDS,

which I am also thinking about today because

(the government’s response to) AIDS was a hate crime.

Now we have a president who names us,

the big and imperfectly lettered us, and here we are

getting kissed on stoops, getting married some of us,

some of us getting killed.

We must love one another whether or not we die.

Love can’t block a bullet

but neither can it be shot down,

and love is, for the most part, what makes us —

in Orlando and in Brooklyn and in Kabul.

We will be everywhere, always;

there’s nowhere else for us, or you, to go.

Anywhere you run in this world, love will be there to greet you.

Around any corner, there might be two men. Kissing.

Jameson Fitzpatrick, “A Poem for Pulse” from Bullets into Bells: Poets and Citizens Respond to Gun Violence. Copyright © 2017 by Jameson Fitzpatrick.

Find more of this poet: https://jamesonfitzpatrick.com/about

--

--

xander guidry
THE CREATIVE PROCESS COLLECTIVE · SUBMISIONS PAGE for www.creativeprocess.info

they / them | linguist | makeshift poet | princeton ‘23 — laissez les bons temps rouler comme les nuages, avec la foudre dans votre sourire.