Miley Cyrus’ Image Makeover Shows Why Black People Fight For Their Culture

I have one question: Miley, what’s good?

I n a bizarre, straight-from-Hannah-Montana twist, Miley Cyrus has resurfaced with a new, squeaky clean image. Gracing the cover of Billboard to promote her forthcoming record Malibu, she appeared almost barefaced. The picture reveals a more subdued Cyrus dressed in a delicate vintage pink Gunne Sax dress, posing in the middle of a country meadow. Gone are those raggedy dreadlocks she insisted on wearing for the past few years, along with her signature crusted glittery-party-monster-makeup aesthetic.

With this new cover story and accompanying photo spread, Miley has softened her gaze for the camera and morphed back into the basic white innocence that made her a household name in the first place. But the interview she gave to Billboard left a lot of people asking what happened to the girl who twerked her way into appropriating black culture not too long ago. Before turning over this new leaf, Cyrus was more than happy to wear her hair in cornrows, pop a gold grill into her mouth as she promoted the beat-heavy album Bangerz, and objectify black women as props in her first video, “We Can’t Stop.”

So it’s curious that Cyrus has seemingly completely changed her tune, distancing herself entirely from the…