The Joy Of Working With Young Writers

Eight Things To Love

Chantelle Atkins
The Honest Perspective
6 min readJul 23, 2023

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I’ve been working with young writers since I started my company, Chasing Driftwood Writing Group in 2015. I was no stranger to working with children as I was a childminder for five years and as a mum of four myself, I’ve always felt quite confident dealing with young people. At the moment, I run eight (soon to be nine) writing clubs for children aged between 7 and 16. I have three physical, in-person clubs and I have four (soon to be five) clubs on Zoom. These clubs cater for both schoolchildren and home educated children. Currently I’m working with sixty-six young writers every week. It’s a privilege combining my love of writing with working with kids, and I consider myself very lucky. There are of course challenges but the good days far outweigh the bad and I generally find working with young writers a truly joyful experience. Here are ten reasons why:

  1. How quickly they improve year from year — it never fails to amaze me how quickly young writers mature. It’s always exciting to note the improvements in their writing skills. Just little things like them starting to self-edit, picking up on repetitive phrases and words for instance, or using body movements in place of dialogue tags. It’s amazing how fast their storytelling skills mature from one year to the next.
  2. How much they love to talk about writing— sometimes talking is writing and it’s good for young writers to realise this. Talking about writing with other writers can be so helpful. If one child is a bit stuck and we start talking about it, suggesting ways to move forward or to generate more ideas, or to get the plot moving again, it’s still writing! There might be less words on paper but often they have learnt a lot more.
  3. How eventually it all sinks in — Young writers tend to get a head full of ideas and want to write their story instantly. Inevitably, they often get stuck or run out of steam so I’m always trying to impress on them the importance of character development and plotting, which can happen alongside the actual writing, but certainly can’t be ignored. I often meet resistence to this and it can take time for it to sink in. The moment when a child shows you their plot ideas or their character bios or their map for their location, when you haven’t asked them to do it, is a very special one indeed! Eventually it does all start to sink in and join up.
  4. They take things off on their own tangent and that’s a good thing — as I mentioned already, talking about writing can be just as beneficial as actually getting words down on paper. And sometimes talking within a writing group can help children get unstuck. Often I find I have planned a session with structured activities I aim to take them through together, and the whole thing will get hijacked by young writers going off on their own tangents. It might be an idea they suddenly get that they just have to share. It might be something I have mentioned has sparked off a memory about something else. Or it might be that my suggestions lead them in a direction I had not anticipated. Either way, as long as they are writing and getting excited about writing, I really don’t mind at all!
  5. How surprised they are when you say they are a good writer — This always gets to me. When you listen to something they have written, or they pass you something they want you to read and you reply with positive feedback and tell them they are good at writing, they always get this wide-eyed look of surprise on their face. In our groups we focus on writing for fun and don’t focus too much on grammar, spelling or punctuation. We do of course edit and encourage young writers to self-edit and we do mention correct spellings and grammar, but they are not tested and not pushed. If a child hands me a story or a poem with incorrect spelling, I still tell them they are a good writer, because they are.
  6. Some of them are natural writers, which is very exciting — I think all children are natural storytellers, just as they are natural artists and dancers. It is human to create and it is very human to make up stories and pass them on. Some children come along to writing groups and start to improve their skills very quickly, for example learning how to use dialogue, how to fully develop their characters, how to utilise back story and so on. And some children come along as almost fully formed perfect little writers. Actually, perfect is the wrong word. Natural, is closer to what I mean. They instinctively know how to structure a story, how to reveal character and how to build tension. It’s so natural that they don’t even realise they are doing it. I find this very exciting!
  7. How they love jumping from idea to idea — I’d have to say that the one thing most of my young writers have in common is how much they jump from one idea to the next. I do try to encourage them to stick with a story and finish it, and everything we work on from character to plot, is aimed at helping them achieve this. However, I never mind when they get bored of a story and come up with a new idea. Having a lot of ideas is very exciting for them and I’d hate to get in the way of new ideas spilling out whenever they need to. I always insist that they keep everything they write somewhere safe, so that if an idea has not worked out, they can come back to it another time. I also encourage them to write down all their ideas for other stories, if they are sticking to the same one. Keep those ideas safe and the more you have, the better! Writing is very much like a tap, I think. Once you have turned it on, it wants to keep flowing. Your mind is finding new ideas to explore for you and that is a good thing.
  8. How the quietest ones sometimes have the loudest minds — My writing clubs can be noisy excitable places at times! It can be a challenge keeping the noise down so that the quieter students can focus on their writing. Some children are very creative and like to talk about it and share it around. While some are quieter and like to keep it to themselves. I tend to find that the really quiet ones, the ones that keep their heads down and write away endlessly in a corner, have the loudest minds when their work is finally revealed. They have so much going on in there that they just have to focus on getting it down on paper.

One of the best feelings is when a parent emails to say their child is writing more at home now, of their own accord, or that their teachers have noticed their writing has improved in school. Another fantastic feeling is when children bring in finished work they have been doing at home. They are always so proud if they have seen a story through to the end. Introducing them to new things is also really exciting. Getting children to enjoy non-fiction or poetry, for example, feels amazing! You can’t win them all and you can’t please them all, but I aim to keep the clubs as varied and exciting and as challenging as possible. Sometimes I look at these kids and wonder who will be a best selling novelist one day!

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Chantelle Atkins
The Honest Perspective

Author and co-director of Chasing Driftwood Writing Group and Chasing Driftwood Books. https://chantelleatkins.com/