Shift Phones — Point, Purpose & Passion

Carsten and Samuel Waldeck

nomad editor
the-nomad-magazine
4 min readNov 22, 2022

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Photos by Jérome Gerull
Words by Sabine Magnet

Brothers Carsten and Samuel Waldeck developed the first German smartphone. Their company, SHIFT, has been producing mobile phones, tablets and notebooks since 2014, while also raising the bar for technology, sustainability and social justice.

Just before our video meeting is due to start, Carsten and Samuel receive a package: the first delivery of the SHIFT13mi. The detachable notebook is the latest development by SHIFT, the company founded and run by the brothers. Like all SHIFT devices, SHIFT13mi has a modular design, with all main parts easy to remove and replace. Carsten Waldeck proudly shows off the detachable notebook in front of the camera.

Congratulations!

CW
It’s really exciting because this is our very first product in this category. It’s a fully modular detachable notebook. We put so much care and time into the development–and the design, because that was always what annoyed me so much about pretty much all laptops.

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What annoyed you so much?

CW
The edges are often poorly designed in graphic terms; the screen edges at the top, bottom and sides have different widths and don’t blend with the keyboard. Awful, awful design. I always hated it. From our point of view, the SHIFT13mi is the first notebook with a completely harmonious graphic design; all the lines are brought together to form a unified whole.

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Design plays a central role for both of you. Carsten, you studied design, communication design and IT, and Samuel, you’re a media designer. What aspects of design are important to you?

CW
Dieter Rams drew up ten rules of good design; they include aesthetics, but they also specify making durable, sustainable and repair­able objects. We see so many products that violate those rules of good design. With SHIFT, we pay attention to creating attractive devices, but we also prioritise function and sustainability.

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From camera crane to smartphone is quite a leap. How did that come about?

SW
Our original aim was to follow up from the iCrane by building a field monitor for reviewing camera footage. We wanted to make a device that was as universal and versatile as possible, and the more we thought that idea through, the closer we came to a smartphone. Strictly speaking, our first device was actually a phablet–a tablet that can also make phone calls.

It all started with a cleaning cloth for computers, screens and keyboards. After graduating in 1999, Carsten Waldeck began to develop and sell the iSaver cloth and other Apple accessories. When the friend who helped them run their operations had to leave for family reasons, Carsten’s brother Samuel and father Rolf stepped up and launched the company iStuff. New ideas followed. In 2012, just as crowdfunding was breaking in Germany, the brothers developed a crane for lightweight cameras and posted their idea on the Startnext platform; iCrane became the most successful crowdfunding project at the time in ­German-speaking countries.

But thinking about making a smartphone and actually doing it are two rather different things …

CW
The first problem was finance. I’d talked to people before and everyone thought we were crazy to want to launch a German smartphone. And a repairable phone on top of that, plus a phone with a motherboard that can be changed! Everyone said: it’s absolutely out of the question, don’t even go there, you won’t get any funding from us. So with that in the background, we wouldn’t have found investors at all. But that was fine; we didn’t want any.

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Why not?

CW
I’d already launched a startup with major investors on board who put millions our way. But it didn’t end well; there was too much power and money involved, which created too much dependency. Eventually the investors made a power grab, and although they actually owned less than ten per cent, they ultimately ended up with de facto control of the company through tranche payouts. So I’d already been through all those dynamics and mechanisms, and I knew that was precisely what I didn’t want. All our inventions and ideas were too valuable to me, and I believed they had incredible potential for changing things in the world. Any­way, we already knew that crowdfunding worked.

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