Resolving the Young/Einstein Paradox: The Chromatic Spectrum of Vibrations — The Physics of Spirit — Chapter Six — Section 13

By Matthew Mossotti

The reason the eye cannot look directly upon the sun or into a flashlight without experiencing discomfort is that the optical organ is not designed to gaze straight upon the trajectory of the photons directly into its purview. Rather, the eye has been designed to capture the reflected reverberations of photon impact in the waves of space-time waters which of course accounts for the three-dimensional layout of the visual theatre. This bogglingly simple resolution of the Young versus Einstein Paradox that light is a particle which makes waves in the fluidic fabric when impacting material energies establishes the first component of the photoelectrical interface with the space-time waters: the particle of light displays a reverberating effect on the field in which the force gravity is carried and projected material energies are displayed. The wave-phenomenology created by photon collision with material energy within the space-time waters is not altogether dissimilar to the wave-phenomenology of percussion in the atmosphere where sound waves ripple through the airs. As in the terrestrial airs, sonically productive events are not themselves heard as direct percussions upon the sensory apparatuses of the ear. Rather, the vibrations produced by percussive events in the airs are transmitted to the sensory apparatuses of the ear to be heard. Likewise, the light event of a photon upon an object is not seen. Rather, the reflected vibrations produced in the fluidic space-time medium by the event of reflected photons are seen. Light waves, which are the visible vibrations of space-time waters, are caused by the event of “percussed” light particles rippling across the waters of space-time. The optically available reflected waves of light in the waters of space-time produce a strikingly similar spectral perception as sound waves. As a refresher on the results of Newton’s work on the chromatic scale, the matching light-sound spectrums is apt to present considerations: the great father of modern science conducted experimentation in which he plotted the colors emerging from a prism against the musical divisions of a monochord. Sir Isaac noticed that the breaks in color align with the seven notes of the Western musical scale. After a multitude of tests where subjects were summoned to examine a circular spectrum of color from light passing through a prism and asked to place a mark on the wall where they perceived one color to have changed from one to another, Newton noticed that the empirical data of his tests revealed that his subjects noticed that seven colors exhibited a scale which resembles the breakpoints of the Western musical scale. Where the note pairs of ‘B’ and ‘C’ and ‘E’ and ‘F’ are only separated by one half step, Newton noticed that red to orange and blue to indigo were likewise only separated by “half-steps” of color change (see figure below). The physics of this phenomenon are mirrored in the events which produce sound waves in the terrestrial airs, where, once more, the findings of old and the lexicon of the ancients have long since recognized the parity of the audial and visual spectrums. In fact, the profound connection between color and sound will be found to date back to the early Greek lexicon, with the Greek word “χρώματος/chromatos” meaning both visible color and audible musical tone.

In accordance with the intuitional precepts of common sense, as the clapping of hands cannot be both the percussive event and the waves in the air caused by the percussive event, the energetic manifestation of light cannot be both a particle and a wave. The physical truth of the space-time architecture is that light is a particle that causes reflective waves in the celestial waters where photons collide with material energy. In the stars, the light waves which are made optically available are the waves made from the photon impact on the material energies of the terrestrial atmosphere. Because the waves of the photon impact travel in three-hundred and sixty degrees and because gasses do not much inhibit the flow of the waves of light, the eye observes the other side of the photon collision with the particles of air. Hence, the stars do not appear in photographic images from the moon because the moon has no atmosphere off of which to reflect their inbound photons, whereas distant planets like Pluto loom brightly from their reflected photon-caused light waves from the sun. Because waves patterns always accompany the activity of the event of a particle of light colliding with a surface of material energy, the active properties in the physical nature of the photon therefore necessarily produce optically available waves in the space-time waters. This principle is consistent with all cases where waves are known to exist in any substance — i.e. the causal event of the waves is distinct from the medium in which the waves occur — e.g. the causal event of tectonic plates shifting which cause seismic waves in the ground is distinct from the ground in which an earthquake causes seismic waves to occur — i.e. the shifting plates are not the seismic waves, but the force of their shifting produces seismic waves in the substance of the ground. The wind that causes waves on the surface of the water is neither the water itself nor is it the waves, but the wind is the event that causes the waves on the water. Similarly, light waves are known to be manifest where light particles are active within the medium of space-time waters per collisions with material energies, and, per General Relativity, the space-time medium has been shown to be distinct from the projected material energies it puts on display to act within its gravitational influence. Resolving the paradox of Einstein vs. Young, once and for all, light is an invisible force-carrier particle which causes visible waves to occur within the substantial medium of the waters of space-time: “We cannot see light; but by light we can see things…” (C.S. Lewis, The Four Loves).”

As a corollary, with respect to the present boundaries of the best scientific instruments on the planet near the time of this writing, CERN (Conseil Européen pour la Recherche Nucléaire) designed the Large Hadron Collider, a 27-kilometer ring of superconducting magnets with various accelerating units that enhance the energy of particles as they travel around the circuit. The Large Hadron Collider functions to boost two high-energy particle beams to travel at the edge of the speed of light before they are steered in to paths which increase the probability that they will collide with one another until they eventually do collide. Post-collision, physicists study the subatomic aftermath. In 2012, CERN announced that they observed a new particle in the mass region around 126 GeV, consistent with the speculation on the Higgs boson predicted by the Standard Model. This particle is thought to imbue mass-properties to zero-mass particles such as photons. Technical and esoteric language aside, the most important component to this discovery for the present considerations is that the finding verifies that photons, although carrying zero mass, are capacitated by the Higgs-boson to exhibit a mass-like property. This mass-like property is the explicit function required for zero-mass photons to interact with the waters of space-time to create the waves which constitute the visible spectrum of light. Where the capacity of mass-bearing matter to “tug” on the strings of the fluidic fabric of space-time is readily observed in the curvature of space-time waters around massive spherical bodies, because the photon is without mass-properties, it would otherwise have no such capacity to interact with the space-time medium. If not for a Higgs boson particle, the interactivity of a photon with material energies would be “unrecognized” by the field which carries the gravitational force. Like screaming in a vacuum produces nothing but silence because the percussive event has no air in which to actualize in the form of sound waves, if not for a particle which attributes mass-properties to photons, photons could not have any actualizing properties upon the space-time waters in their reflected waves from colliding with material energies. The Higgs-Boson particle affirms the mass-likeness of the photon in the space-time waters’ recognition of the photon’s energetic interactions with the material energies within it and thus explains the photon’s capacity to create the release of a “tug” on the strings of the fluidic fabric through collisions with material energies which creates the optical vibrations of light waves within the space-time waters. This concludes the first proof of correspondence between the force of material projection and motivation and the force of light and electricity, with the force-carrier particle of light influencing the fluidic space-time medium by creating waves within it.

Looking for more to read? Check out the previous section The Resolution of the Paradox of Lift: Projection in the S-T Waters or start at the beginning of this chapter with Mythos & Scientific Inquiry in the Human Experiment, read all of the released sections from Chapter VI: The Physics of Spirit — the Life Force in the Waters of Space-Time sequentially, learn more about Matthew Mossotti’s philosophical masterpiece Physics of Spirit: On The Phenomenology of Heaven & Hell, or explore SpeciMen Trilogy and join The Resilience to receive a digital copy of Episode Zero of SpeciMen Trilogy and access to the secret Resilience Portal — an exclusive collection of letters and previews to Episodes I, II, & III.