The Road, or“La Strada,” to Meaning: Federico Fellini’s 1965 Film

Layla Hubler
Intellect Intersect
2 min readMay 31, 2024

“La Strada,” directed by Federico Fellini, is a poignant Italian film that tells the story of Gelsomina, a naive and innocent young woman, who was sold by her impoverished mother to a traveling strongman named Zampano. Zampano performs feats of strength in small towns and villages, using Gelsomina as his assistant. He is harsh and abusive, treating Gelsomina with little respect or care.

The characters of Zampano and Gelsomina embodied the contradictory archetypes in the film La Strada. Their contrasting personalities served as a metaphor for the world and its dichotomy. Zampano, the strongman, represented sheer strength, ambition, independence, and a lack of emotional inclination. Humankind is driven by material wealth, power, and control; those motivations are reflected in Zampano’s character. He wanted to exert his strength over others to ensure that he remained in control, often at the expense of the feelings of the people he impacted. Zampano exploited Gelsomina, a vulnerable and naive girl, and made it clear that he was only using her as a tool to further his career.

Gelsomina, on the other hand, was more sensitive, always seeking Zampano’s reassurance and validation. She resembled the softer side of humanity: the selfless part of us that displays compassion, empathy, and generosity, and craved to love and be loved in return. Gelsomina’s childlike innocence and loyalty was visible throughout the film, and, unlike Zampano, she managed to form genuine bonds that were not dependent on beneficial business arrangements. While Zampano’s first reaction to the Fool’s murder was that he might go to prison, Gelsomina immediately cried out, “The Fool is hurt!,” showcasing her sympathy for his condition. This poignant tragedy serves as a representation of what we desire most: meaning and connection. At the end, even Zampano realized Gelsomina’s mere longing for companionship and purpose in an environment where she felt like she had nothing to contribute. Her fate displayed the tragic truth of what happens to vulnerability in a harsh and unforgiving world. Gelsomina’s search for belonging and Zampano’s desire for success echo the one universal truth about humanity: we are all on the road, or “La Strada,” toward our own interpretation of what it means to mean something.

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Layla Hubler
Intellect Intersect

Writer, Activist, Academic. Email: laylahubler@gmail.com "I dwell in possibility." -Emily Dickinson