Grandma’s Painting
A reflection on art, memory & meaning
In spite of the fact I had been planning on returning with nothing more than a small backpack, the framed oil painting wasn’t a burden. Hidden behind the bubble wrap and the plastic bag protecting it from the vicissitudes of airline travel was the likeness of a deer that had already made a far more mysterious journey from my grandmother’s mind onto the canvass.
My grandmother — or grammy as I called her from about 18 months or so onward — has been gone for more than two decades. The painting will, hopefully, survive for far longer than either of us put together. Regardless, the deer browsing autumn leaves in the depths of some dark New England wood is destined to be a part of the scenery wherever I go. Friends that visit our home will perhaps notice and admire the work. Some subset of these might even comment on it giving me a chance to say something about the painter.
Though I can’t say for sure, I don’t think my grandmother ever took any art classes. I remember seeing her easel set up in the living room from time-to-time during some of my visits as a small child, but I never actually saw her paint. If anyone else in the family saw her at work they have kept it to themselves. In my mind grammy as an artist remains a solitary figure engrossed in the act of creation next to the front windows of the…