Notes on Yinka Shonibare’s ‘Suspended States’
The British-Nigerian artist’s new show at the Serpentine South Gallery manages to be both irreverent and deep
To me the word that defines Yinka Shonibare’s art is humour. Evidence of this is everywhere in his latest exhibition at the Serpentine South Gallery (until 1st September).
Winston Churchil, Lord Kitchener, and Queen Victoria, to name a few of the fibreglass-built, patterned figures, get the Indonesian-inspired, African-trademarked batik treatment. Same with the spines of the 5,000 volumes that make up The War Library. The titles reference peace treaties or conflicts. Don’t try to pull the books out, though. They’re all empty props. Once again, you become part of Shonibare’s joke.
Best of all is this philanthropist’s aesthetic vision. His dazzling, multi-coloured, West African-driven artistic sensibility is what makes his latest outing a success. Whilst still having a laugh.
