Modern Art & Japanese Woodcut Prints

From Manet to Van Gogh, the influence of Japanese ukiyo-e prints on European art

Christopher P Jones
Thinksheet
Published in
6 min readAug 25, 2019

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Hakone (1833–34) from the The Fifty-three Stations of the Tōkaidō series by Hiroshige. Source Wikimedia Commons

Japanese woodblock prints had a unique appeal for a generation of 19th European artists. Attracted by the bright colours and clear forms, vivid contrasts and asymmetrical compositions, artists like Van Gogh, Degas and Toulouse-Lautrec were keen collectors of this imported art form.

The name given to this style of print is ukiyo-e, which in translation approximates to “pictures of the floating world”. The term ‘floating’ here is used in the Buddhist sense, of something fleeting or transient; the subjects were of popular forms of recreation in Japan, from Sumo wrestling to pleasure gardens, theatre, dancing, and history, and no shortage of erotica too.

Ase o fuku onna (Woman wiping sweat) woodcut by Kitagawa Utamaro. Source Wikimedia Commons

To the urban classes of Japan, the appeal of ukiyo-e prints were undoubtedly in their reflection of Japanese entertainments and city-based culture. As mass-produced items, woodblock prints could be made at low-cost and adapt to the changing fashions in Japanese society. Representations of famous beauty spots were also in demand, as Japanese travellers traversed their country and sought…

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