Photos of early Miss Universe contestants are a strange look at Jet Age ideas of multiculturalism
Sending Miss USA with Confederate flags in hand? Not a good look.
By 1958 Miss Universe was still in its first decade of operation, but the beauty contest was already attracting a hefty following. A total of 36 countries sent delegates to the pageant that year, which was held in the beachside municipal auditorium in Long Beach and seen on TV nationwide. Contestants were predominantly European or South American, with women from just Japan, Korea, and Singapore representing Asia. Alaska, still six months off from statehood, sent an entrant too.
The winner, and the first Colombian to take the title, Luz Marina Zuluaga was beaming as she accepted her crown. “Five-foot-four, 36, 24, and 36, she’s on the threshold of fame. But no career for her—Luz just wants to get married,” detailed the television announcer. Indeed, the 19-year-old beauty queen would return to a politically volatile Colombia where she promptly built her family a house and became the director of tourism for her home state of Caldas. (And married a doctor.)
These PR photographs reveal a certain optimism for the internationalist ethos of the beauty pageant. Contestants are garbed in generalized motifs from their respective country’s cultures, some more overtly stereotypical than others. But as national representatives on the world stage, it is with all apparent pride that they step off a TWA jet onto the sun-drenched California tarmac, greet the cameras with aplomb, and take their place as ambassadors of a rapidly interconnecting globe.