Making Scales Fun! | tonebase Tips
We all know it’s important to practice scales. Yet convincing ourselves simply to pull out the metronome and set it to quarter note = 60 BPM can often seem like a huge hurdle in itself! To help us overcome our fear, Francisco Chaves shares a few of the ways he reframes scale practice to make it more fun and helpful long-term.
Throughout the years, the same thing happens over and over again. Teachers advise their students to practice scales. They give important and useful tips. Students nod in agreement. Then, the students come home and perhaps, if they are really dedicated, they spend 5 minutes practicing scales, going up and down the neck and that’s it.
Let’s face it… Practicing scales is boring and many students do not see the point.
My approach to scales is completely different: you need to have FUN while practicing the scales. Imagine they are your little “etudes.”
DISCLAIMER: In this article I will not discuss scale fingerings. That is a huge topic to cover and perhaps can be discussed in a future article. Use whatever fingering you want for the following exercises.
Let’s take C Major to keep it simple. Usually the students will play something like this:
If you check any guitar book or method, the story usually ends here. Play gradually faster with metronome, that’s it. And then, the teacher complains the student did not practice his scales.
Here are three simple variants on the above C major scale that demonstrate a small sampling of ways you can make practicing scales both fun and actually more beneficial for your development!
1. Melody
By just applying a simple pattern to the scale, we can easily make a beautiful melody out of it, like this:
This example is just one melodic possibility of the endless that exist, but it is already so much more pleasing to the ear and enjoyable to play.
2. Shifting
For the technique of shifting positions, the dotted rhythm is super important to practice. One of my guitar teachers, Dejan Ivanovic introduced me to this way of practicing scales for perfect mastery of switching positions:
If you master this dotted exercise, you will see tremendous improvement in your scales. However, I should ask, “Why not make it more fun??” Here is my “fun version” of the same thing:
3. Rhythm
And for the grand finale… Are you having trouble with irregular bars and weird accents? Here is my “Balkan version” of C Major, inspired by the music of Serbian composer Dusan Bogdanovic.
Most important of all — have fun while doing this! After you master these examples and find them boring, just come up with new ones yourself that excite you. Why not play a different scale exercise every day instead of repeating ad nauseam the same thing over and over again? Maybe one of those exercises could be your next “etude!”
We hope you enjoyed this post from Francisco! Try using a few of his ideas in your scale practice to spice up your routine and get more out of the hours you put into it. For more on scales, check out the lessons by Ali Arango, Vladimir Gorbach, Anton Baranov, and Matt Palmer.
About Francisco Chaves — http://fassislau.wixsite.com/franciscochaves
Francisco Chaves is a guitarist, composer, teacher, sound designer and producer based in Germany. He was born in Castro Verde, a tiny village in the south of Portugal and started there to study classical guitar. Later, he also found a second passion for composing with his first harmony lessons.
He completed simultaneously two bachelor degrees (Classical guitar and Composition) in the University of Évora (Portugal) under the guidance of Dejan Ivanovic (guitar), Pedro Amaral (composition) and Christopher Bochmann (composition), having received the “Scholar Prize”, for finishing both degrees with the highest grade. After that, he finished his master degree in Classical Guitar and graduated “cum laude” in the “Maastricht Conservatorium” (Netherlands) in the class of Carlo Marchione.
Currently, he teaches in several music schools in Germany. Besides that, he also teaches by Skype and works as a freelance musician, giving concerts around Europe and composing music for orchestras, ensembles and soloists. He also devotes his time composing music and making sound effects for video games and films.
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