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The Virtue in Tainted Walls
Zainab Ghafoor-Firdausi, Class of 2019
Code, Conservation, and Truth
Should Technical Determinism Influence Art Criticism?
Erik Spiekermann makes a deep impression by marrying new to old
A print run of 2,500 books employs cutting-edge methods to bring new life to a medium he’s long loved.
What Does It Mean to Be an Accessible Museum?
This series of posts celebrates the 80th anniversary of The Museum of Modern Art’s formal commitment to museum education. Francesca…
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The War of the Walls
In Bushwick, street artists and graffiti bombers battle for wall space and recognition
The Brooklyn Ink
The Strangeness of the Colchicum
Tracing the history of the autumn crocus, from murder weapon to medicine
Why $450 Million for This Painting Isn’t Crazy
Salvator Mundi could be another Mona Lisa — the centerpiece of an ambitious museum.
What can an art residency in a Utrecht old folks’ home teach us about intergenerational living?
The city of Utrecht might be compact but it’s a bustling centre of student life, cycling obsessives and innovative social design. With…
‘Boom for Real’ — why the Basquiat exhibition is long overdue
But how did this self-taught outsider become the darling of the art world establishment?
Blight is Not Your Blank Canvas
Both the the subjectivity of art, and its near universal appeal, make any school of thought that calls for a limit to its reaches, near…
How immigrants changed design