Human-AI relationship: Delights don’t need to have violent ends
An investigation into the different cultural attitudes in the West and in Japan about AI and robots
This blog post is also featured in the fourth issue of Embodied AI. Make sure to subscribe to the bi-weekly digest of the latest news, technology, and trends behind AI avatars, virtual beings, and digital humans.
Mistrust between men and AI permeates the film, Ex Machina. Nathan, a megalomaniacal tech CEO and creator of the android Ava that passes the Turing test, has a murky past of android abuse. Caleb, the empathetic programmer, falls in love with Ava, only to be manipulated by her, because she has learned not to trust men. As Shakespeare says: “These violent delights have violent ends”.
In stark contrast, the Japanese film Cyborg She features a romance between a lonely Jiro and a mysterious girl who saves him from a gun attack. The girl is later revealed to be a cyborg sent by the future Jiro to protect himself from imminent danger that would lead to lifelong paralysis. The film is a comedy mostly of delights and not much violence save for when Jiro’s cyborg girlfriend kicks into action to protect him.
In a way, the troubles in Ex Machina and the love in Cyborg Shereflect the larger contrast in the cultural attitude toward machines between the East and the West. As AI increasingly automates traditionally human tasks, investigating this cultural difference might shed light on a path forward for a more harmonious coexistence between humans and embodied AI, such as intelligent avatars, digital humans, and robots.
The Terminator is coming!
The Western fear of a robot take-over isn’t only expressed in cinematic experiences. Some futurists, such as Martin Ford, have been consistently spreading the robots-are-coming omen, like in his book Rise of the Robots: Technology and the Threat of a Jobless Future, which warns of “unprecedented economic and social disorder” with a “this time is different” analysis. Journalist Andrés Oppenheimer’s new book, The Robots Are Coming, is so full of exclamation marks in chapter titles like “They’re Coming for [fill in the job]!” that historian Jill Lepore joked that at least AI has not replaced manufacturers of exclamation marks!
Autonomous cars, cashierless checkouts, and chatbots will definitely impact jobs. But even economists cannot agree on what kind of impact they will have: Carl B. Frey at Oxford University, for instance, believes AI will destroy more jobs than it creates, while Robert D. Atkinson, the founder of the Information Technology & Innovation Foundation, thinks AI will lead to more spending and investing, thus more jobs. Oppenheimer imagines that society will be divided into three groups: the elites, service providers to the elites (like Zumba trainers), and the unemployed people living on universal basic income, or Yuval Harari’s “useless class”. If the futurists were right, it’d certainly be a bleak image for the future of mankind.
Look eastward, androids
Across the planet, however, Asia seems to largely ignore this Western pessimism toward robots, AI, and automation. According to a report from the International Federation of Robotics, South Korea, Singapore, and Japan, all in Asia, are three of the top 5 nations in robot density, measured by the number of installed industrial robots per 10,000 employees. China leads Asia in consumption of technology and spearheads AI productization while the West, especially the EU, worries about data privacy and AI’s impact on society.
Home to celebrity robots like Softbank’s Pepper, Japan stands out worldwide for its obsession with and dedication to robotics. In a robot strategy report, the Japanese government envisions a “robot barrier-free society” in which humans and robots can “coexistand co-operate on a daily basis”. Japanese people are also known to be more open towards developing companionship and seeking love with robots and virtual characters. Just look at the man who recently married a VR hologram singer!
What is your religion?
So why does Japan view robots so differently from Westerners? Heather Knight, a robotics researcher at Oregon State University, thinks one factor is religion. Traditional Judeo-Christian values state that only God can give life, so the act of a human to breath life into inanimate objects is a punishable blasphemy that leads to a Frankenstein-like disaster, like in Ex Machina. Conversely, the Shinto religion believes in animism, which holds that everything, even man-made objects, has a spirit and the spirits of daily-use tools are harmonious with human beings.
The cultural differences between the West and Japan are easily spotted in the post-industrial revolution society. The utilitarianWest first saw machines and now AI as automations to boost productivity and efficiency while also competing with and replacing unskilled human workers. Japan, in contrast, sees machines not necessarily as competitors but rather as cultural participants in the room, especially today as its population is ageing and its worker shortage is worsening. While the West fears the repercussions of robotic automation, the East welcomes more artificial companions. Perhaps this difference also reflects the type of robots being built: Boston Dynamics’ new Handle is designed to work in warehouses, while Japan’s new home robots, such as Lovot, and AI avatars, like Vinclu’s Kawaii, are companions or partners designed to be loved.
We are certainly not portraying Japan as a robotic utopia. The Economist reports that while manufacturing in Japan is more automated than in most rich countries, robots have barely penetrated its service industries. Moreover, a survey showsthat the sentiment of AI and robots displacing many human workers is also on the rise among Japanese people. Despite this, Japan and its culture illustrate another way to think about the coexistence of humans and machines.
La Fin
Ex Machina ends with the android Ava trapping the guileless Caleb inside the lab facility and successfully escaping into the city, disappearing into the crowd. But the robotic girlfriend in Cyborg She develops an understanding of love and sacrifices herself to save her boyfriend Jiro in a devastating earthquake. So much of how we perceive AI and robots are based on our subconscious cultural beliefs and imaginations of certain hypes and trends that we wonder if the future of humans must be divided into three classes. Perhaps there is another possibility, in which humans live harmoniously with their robots and AI avatars.
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