Imre, Loránd BalázsinDoc.KiezFather Thirst in the Venezuelan Jungle#VISIONSDUREEL2020: El Father Plays Himself (2020, ‘105), Mo Scarpelli·4 min read·Apr 25, 2020----
Imre, Loránd BalázsYou are present: Days days after you passed[meditation on my mother’s death]·3 min read·Aug 21, 2019----
Imre, Loránd BalázsinDoc.KiezCameraworkthrough the experience of Kirsten Johnson regarding her film, Cameraperson·5 min read·Jul 10, 2019----
Imre, Loránd BalázsinDoc.KiezFreak solo or sour-sweet scenarios for a still undervalued category#IDFA2018 and #OSCAR2019 special: Free Solo (2018, 90'), Elisabeth Chai Vasarhelyi — Jim Chin·4 min read·Feb 25, 2019----
Imre, Loránd BalázsinDoc.KiezTalking about cinema doesn’t get us rid of populism#IDFA2018: American Dharma (2018, 125'), Errol Morris·3 min read·Dec 5, 2018----
Imre, Loránd BalázsinDoc.Kiez#IDFA2018 special: Life is queer at its coreTouch Me Not (2018, 125'), Adina Pintilie3 min read·Nov 18, 2018----
Imre, Loránd BalázsinDoc.KiezKind of UnexpectedComing of Age (2015, 60'), Teboho Edkins3 min read·Oct 11, 2018----
Imre, Loránd BalázsinDoc.Kiez“Nobody trusted we could come back with a film shot in North Korea”Interview with Francois Margolin, producer of Napalm (Claude Lanzmann, 2017)4 min read·Aug 12, 2018----
Imre, Loránd BalázsinDoc.KiezGrit vs. DeathNapalm (2017, 100'), Claude Lanzmann2 min read·Aug 9, 2018----
Imre, Loránd Balázsthere are no blue animals, yetI wanted to tell you ten things I did today. I wanted to give you some facts, a list, an objective proof of my existence.·3 min read·Jun 24, 2018----