Best Sam Smith Songs: 20 Essential Tracks

uDiscover Music
May 19, 2019 · 8 min read

Mark Elliott

Since 2012, the Grammy-winning singer-songwriter Sam Smith has been building a discography of enviable scale. The Londoner announced he was gay in 2014 and used his platform to tackle the demons of a difficult childhood plagued with insecurities about his sexuality and body image. Blessed with an extraordinary voice, however, his love songs speak to millions and have become standards. Incredibly, he has yet to release his third studio album, but there are plenty of high points to choose from in our run-down of the 20 best Sam Smith songs so far.

Have we missed one of your best Sam Smith songs? Let us know in the comments, below.

Listen to the best of Sam Smith on Apple Music and Spotify, and scroll down to read our best Sam Smith songs.

This gorgeous cover of the Whitney Houston classic demonstrates the seemingly effortless power of Smith’s voice. It’s a controlled, tender performance that strips away the mid-80s fuss of the original to reveal the fragile, emotional melody beneath. It was added to the Drowning Shadows edition of Smith’s debut album, — a reissue that hit the shops at the end of 2015.

Issued as a promotional single in late 2013 to support the remix album for Disclosure’s Settle project, this collaboration with the Chic veteran and his longtime collaborator Jimmy Napes is a Studio 54 throwback on which Smith’s vocals add ballast to the funk-pop hybrid.

Picked as the second single from Smith’s second album, The Thrill Of It, ‘One Last Song’ sounds like it’s one of those songs we have lived with forever. Its lilting retro vibe could have been lifted from the classic songbook, but it’s actually a new composition co-written by Tyler Johnson, who has worked with Ed Sheeran and Taylor Swift. Its Nashville top notes make this one of the best Sam Smith songs picked for a single release — if not one of his biggest hits.

Steve Mac has a pop pedigree as thoroughbred as any Crufts winner and has worked with Westlife, Céline Dion and Calvin Harris. In 2018, he wrote this new song with Smith to support the Netflix remake of the Richard Adams classic Watership Down. Recorded with the BBC Concert Orchestra at London’s legendary Abbey Road Studios, this dramatic ballad with Mac’s trademark sweeping hooks deserves wider recognition.

To date Smith’s only attempt to tackle a yuletide standard, ‘Have Yourself A Merry Little Christmas’ made its debut in the Judy Garland movie Meet Me In St Louis. It has been covered hundreds of times since, including a definitive version by Frank Sinatra. Smith’s 2014 cover broke into the US Hot 100, ensuring that we’ll hear it every December for years to come…

Helping to launch The Thrill Of It All, this promotional single made a decent dent in the charts. The live performance of the song from the Hackney Round Chapel draws out its gospel influences to chilling effect. Smith has one of those voices that create warmth and intimacy despite the assured athleticism of his technique.

This is one of In The Lonely Hour ‘s most confessional moments. “‘Leave Your Lover’ is about someone I fell in love with last year,” Smith told journalists. “I tried to make this track sound pretty because the message of the song is pretty sad.” The heartbreak behind the parent album gets lighter treatment in this midtempo ballad, while the memorable video, co-starring model Daisy Lowe and depicting an intense love triangle, helped elevate ‘Leave Your Lover’ to one of the best Sam Smith songs, framing the platform for him to talk about his sexuality for the first time.

Working again with Disclosure, ‘Omen’ was picked as the duo’s second single from their second album, Caracal. Its throbbing, EDM dance vibe was a step away from Smith’s more typical work at this time, but built on the success of the previous collaboration — 2012’s ‘Latch’. ‘Omen’ made the UK Top 20 and hit №1 on the Billboard dance charts.

Drafting in rapper Logic for the song’s official issue as a single, ‘Pray’ had been inspired by time spent overseas with the charity War Child. A team of writers contributed to the track, which was steered by Timbaland, most famous for his work with Missy Elliott and Justin Timberlake. Again, the gospel influences lift a sharp melody to greater impact, and ‘Pray’ became a sizeable hit around the world on its 2018 release.

This was the first time many people really started to take notice of Sam Smith, as his guest vocals on this Naughty Boy smash from 2013 made an immediate impact. Its frothy dance-pop riff proved a huge radio sensation and the track made it all the way to the top of the UK charts, but the video didn’t feature the singer. ‘La La La’ became one of the biggest singles of the year in the UK and was nominated for a Brit Award.

‘Latch’ is a song best described as “a sleeper hit”. In 2012, it sold more than half a million in the UK but never made it into the Top 10. In the US, it eventually entered the Top 10 and topped the dance charts — albeit years after its first release. As with a handful of his earliest hits, Smith didn’t appear in the music video, but this club classic — the duo’s breakthrough — remains fresh and contemporary today.

Picked as In The Lonely Hour’s third single, this classy soul ballad stands out among the best Sam Smith songs for having all the makings of a standard in waiting. Its light, shuffling instrumentation acts as the perfect backdrop to Smith’s majestic vocal performance. An impressive video starring Glee’s Dianna Agron and Chris Messina from The Mindy Project, and based on a troubled marriage that inspired the song, helped power ‘I’m Not The Only One’ into the UK Top 3 and the US Top 5. Smith hadn’t been certain of the song’s chances on release. In defending his choice of the track for single release, he admitted there were “safer bets to go in terms of radio”, but that he wanted to make a statement. “I also want people to know that I’m not just doing it to have big radio hits.” He was proved wrong: radio loved it.

In terms of a wider breakthrough, ‘Money On My Mind’ marked the point when Sam Smith truly established himself. Its nagging chorus became instantly associated with the singer and he played centre-stage in a Vegas-set video that illustrated the excesses of the world’s pleasure capital. It was actually the second single from his debut album, but this February 2014 UK chart-topper identified Smith as a star in the making.

You can’t keep a good song down. After peaking at №46 on its first 2013 release, ‘Lay Me Down’ was reissued after In The Lonely Hour broke through, upon which it entered the Top 20. That wasn’t the end of the story, though. Given a third release, as a duet with John Legend for Comic Relief, ‘Lay Me Down’ soared all the way to the top of the UK charts.

Launching a second album after the first has been such a success isn’t for the faint-hearted; there’s an unrivalled sense of expectation to prove the debut hadn’t been a fluke. ‘Too Good At Goodbyes’ helped secure the forthcoming success of The Thrill Of It All by blending the soulful elements of the first collection with a sharp, modern spin, effortlessly bridging the gap between the pop and adult-contemporary audiences. Again, the gospel chorus lends gravitas to a song that genuinely doesn’t need any help. In 2017, ‘Too Good For Goodbyes’ secured its place among the best Sam Smith songs when it became another chart-topper for Smith in his homeland.

As one of the final singles from In The Lonely Hour, ‘Like I Can’ had the unenviable challenge of broadening the perception of its parent album away from the successful formula that had served so well to date. A Motown-inspired shuffler that sounded refreshed and purposeful, ‘Like I Can’ was an upbeat gear-change away from the gospel-fused balladry that had characterised so much of what had come before. It wasn’t a big hit in America, but made the UK Top 10 at the end of 2014.

A chance studio encounter with former Fifth Harmony vocalist Normani led to a contemporary collaboration ‘Dancing With A Stranger’, which became a sizeable international chart hit at the start of 2019. It marks one of the first songs Smith has worked on since his big dance success, ‘Promises’, in 2018, and may be a signal of new directions Sam Smith is going in.

This house/dance-pop hybrid became the summer anthem for many in 2018, ending up as Smith’s seventh single to top the charts in the UK. The collaboration with superstar DJ/producer Calvin Harris also became a huge club hit stateside. Its celebratory video, showcasing LGBTQ dance culture and featuring Kevin Stea, who worked with Madonna during the ‘Vogue’ era, is perhaps Smith’s most euphoric to date.

Incredibly, Writing’s On The Wall became the very first Bond theme to top the UK charts when it was released in 2015. This Spectre composition also enjoyed subsequent wins at the Golden Globes and the 88th Academy Awards, forever cementing its place among the best Sam Smith songs. Longtime collaborator Jimmy Napes co-wrote the track, which came together very quickly, and Smith now says the opportunity to record a Bond theme is one of his career highlights.

This gospel ballad became Smith’s US breakthrough when it peaked at №2 for a fortnight, and its fragile, piano-led melody has powerful hooks that soon make their mark. A uniquely exhilarating torch song written about the emotional vacuum created by a one-night stand, ‘Stay With Me’ earns its place among the best Sam Smith songs thanks to Grammy wins for Record Of The Year and Song Of The Year — a fitting conclusion, perhaps, to a messy romantic encounter.

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Originally published at on May 19, 2019.

uDiscover Music

Dig Deeper into the world’s greatest music

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Written by the best place for news, in-depth features, exclusive artist interviews, playlists and videos of all your favourite music.

uDiscover Music

Dig Deeper into the world’s greatest music

uDiscover Music

Written by the best place for news, in-depth features, exclusive artist interviews, playlists and videos of all your favourite music.

uDiscover Music

Dig Deeper into the world’s greatest music

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