13 must-see pieces of art on campus
We’ve got some amazing art across our campus. Find out more about some of our favourite pieces.
We’ve got two galleries on campus in Parkinson court with regularly changing exhibitions, but here’s a list of some of the public art you can see around campus, some of it very well known, other work hidden away in the more quiet areas of the University.
Spirit of Enterprise/Hermes — William Chattaway, 1958
This flying bronze figure, keeping a watchful eye out for impromptu swimmers in the Roger Stevens pond was originally on the wall of the Midland Bank building in London before the building was was sold in the early eighties. It was saved from potentially being sold for scrap and the four and a half ton sculpture has been flying high on campus since 1983.
Lenten Cover — Mike Lyons, Good Friday 1979
Made of steel plate sourced from the scrapyards of Hull and Leeds in the 1970s, this sculpture is named after the cloths covering church statues during Lent. It’s been displayed in many locations across the UK — the Serpentine Gallery, London, Mold and Port Talbot in Wales, Norwich, and also the home of the Industrial Revolution, Ironbridge in the Midlands.
Decrepit Memories — Emma Catlow
Hidden among the undergrowth outside the Old Bar, is the last remaining head. Originally there were three, but sadly only one remains in situ today. It’s missed by many who walk past every day, so if you’ve not seen it yet then go and have a look!
Dual Form — Barbara Hepworth, 1965
On loan from Leeds Art Gallery, this wonderful sculpture is behind stage@leeds. It’s one of an edition of seven bronzes that internationally renowned sculptor Barbara Hepworth cast in her studio in St Ives, Cornwall. It’s nice that it’s here in Leeds, where Barbara studied in 1920 (at Leeds School of Art).
Sign for Art — Keith Wilson, 2014
In the last few years, probably the most iconic, the “wobbly bacon” is one of the most photographed art works on campus. Professor Wilson, the artist said: “Immediately after leaving the Slade in the late 1980s, I worked for a year with deaf-blind adults as an art instructor. Drawing two spaced fingertips in a wave motion across the forehead of the student — a tactile ‘brainwave’ sign — announced the arrival of the artist, the subject of art, and the imminent activity of making art.”
Meet, Sit and Talk — Lorna Green, 1995
Down in Chancellor’s Court by the Roger Stevens building are two sculptures — Conversation, and this one, part of Meet, Sit and Talk, which are three stone circles, each stone bearing a rectangle of polished granite reflecting the sky and surrounding environment. Green explains the sculpture ‘is intended to be used — for sitting, for meeting at and to create a socially interactive space’ and students can be seen lunching and revising among the stones on sunny days.
Untitled Bas-Relief — Hubert Dalwood, 1961
Although you can now see this on our theatre Stage@Leeds, it was originally up at the University’s Bodington Hall of residence — affectionately known by generations of students as the Bod — for more than 50 years. Bodington Hall has long gone, but it’s lovely the sculpture arrived last May.
Man-Made Fibres — Mitzi Cunliffe, 1956
High up on the Clothworker’s building south, is this amazing pair of hands, woven together by textile fabrics. It was unveiled by the Duke of Edinburgh in 1956. It’s really high up and easy to miss. You might recognise the style — Mitzi designed the BAFTA award!
A Chair is A Difficult Thing — Sam Judd, 2015
Very much an Instagram fave, we love this functional sculpture — countless recycled chairs circling a silver beech tree outside the remaining house of Beech Grove Terrace on the way to the Union. It’s the only functional sculpture on campus, and we love it here!
A Spire — Simon Fujiwara, 2015
Once upon a time, Leeds was a city of 1000 chimneys. Today, almost all of them have gone, and yet, outside the Laidlaw library is this. Nine metres tall, and made of pulverised coal, steel dust and copper, it’s also got much finer detail weaving through the brick. The grooves are branches and cables, and reflect the great digital city Leeds now is.
Mechanical Engineering — Allan Johnson, 1963
Curving above the entrance of the Mechanical Engingeering building is the amazing glass fibre sculpture. It’s an abstract design, although if you look closely, it could be link mechanisms, perhaps! It was made by making a mould in clay, and it still has the clay-like texture. Allan Johnson was an architect, and had studied at Leeds College of Art and was involved with quite a few buildings on campus, including the Mechanical Engineering building.
Wire Sculptures — Rachel Ducker, 2017
The newest art on campus, and one you might not have seen yet. It’s in the amazing courtyard outside Pure café on level 9, Worsley. If you’re a people watcher, you’ll love these — the expressionless figures display their emotion through their posture and the turbulent hair, blowing in an imaginary breeze. Grab a coffee at the Pure café and check these out!
The Dreamer — Quentin Bell, 1982
The levitating figure has been lying down for 26 years now, and amazingly not woken up, even though she’s been moved from by the Edward Boyle library, Baines Wing café and now where she gently floats above the floral displays in Clothworkers Court, next to the Great Hall. Quentin Bell was Professor of Fine Art in the 1960s, and he worked with Civil Engineering to design and install the work. It’s a lady who would have been part of a magician’s act, mysteriously levitating above a table before a wondrous audience. Today she’s a captivating sight in all weathers, basking in the afternoon sun, or shivering on a freezing January morning.
Find more art on campus
You can find more art at our two campus art galleries — find out more