Night Sky for Night Owls

How to Photograph Starry Skies and Northern Lights

Wavy bands of green and purple light up the night sky of stars over a horizon of trees.
Bands of green and purple light up the night sky of stars over Koyukuk National Wildlife Refuge in Alaska. Photo by Keith Ramos/USFWS.

Dear night owls:
This one is for you.

Winter nights can be long, dark … and perfect for photography. Join us for some starry sky views, a virtual thermos of hot chocolate, and tips from two nocturnal shutter bugs.

Astrophotography 101

“For most of us, the world at night is a foreign place,” writes photographer Peter Pearsall. “When we venture from the lights and clamor of our cities and immerse ourselves in the nocturnal landscape, we are transported into the unexpected.”

Take a night sky tour with Peter, and plan your next star-filled adventure:

A headlamp beams up into the night sky with the Milk Way arcing overhead.
The Milky Way arcs over a night sky watcher. Canon 6D, 12mm f/2.8 @ f/2.8, ISO 2000, 25 seconds. Photo by Peter Pearsall/USFWS.

You can walk the very same path or view the same vista in daylight and in darkness, and the two can seem nothing alike: a night-and-day difference.

Outdoors under the night sky, your senses become attuned to the intimacy of darkness — you are acutely aware of what is near, while everything distant falls to the periphery. It’s only after you linger for a while — letting your eyes adjust to the darkness, slowing your pace to quiet your breathing — that those dim peripheries resolve.

You might hear owls hooting, coyotes yipping, rodents scampering across the ground you stand on. You may clue in to the rustling of leaves and branches in a slight breeze which escaped your notice until that moment. Then you glance upward. Stars, untold millions of them — along with planets, comets, meteors and other celestial bodies — all aglow above you, shining with a light already eons in the making before it reaches your eyes.

Two people stand in a circle of red light, looking up at the night sky with millions of stars and the Milky Way.
Look up: The sky explodes with stars in this long exposure. Canon 6D, 16–35mm f/2.8 @ f/2.8, ISO 3200, 25 seconds. Photo by Peter Pearsall/USFWS.

Astrophotography gives us the ability to capture these incredible scenes. Modern cameras have the capability to illuminate nightscapes in a way that isn’t possible with the unaided eye. Long exposures and imaging sensors capture light that normally eludes us.

A night image of the Milky Way over the ocean and cliffs.
A galaxy of stars dives into the sea. Canon 5D Mark II, 16–35mm f/2.8 @ f/2.8, ISO 3200, 30 seconds. Photo by Peter Pearsall/USFWS.

To shoot the night sky, have an objective

Do you want to capture the Milky Way, or compose star trails? Do you want a light-washed nightscape, with the stars outshone by a rising moon? Do you want portions of the night sky to align with a pre-composed image you have in mind? Before you set out to shoot, take these considerations into account.

A long exposure shows starlight trailing in a circle over a desert landscape.
You can create star-trail images with an extra long exposure and image stacking. Canon 5D Mark II, 16–35 mm f/2.8 @ f/2.8, 30 seconds (65 exposures stacked in Adobe Photoshop). Photo by Peter Pearsall/USFWS.

Many factors go into astrophotography. Some of the most important are:

Timing

Know when to expect conditions favorable for the shot you’re after. When does the moon rise or set? What phase is the moon in, and how will this affect your shoot? When is the galactic core of the Milky Way visible? You need to coordinate with such variables to have a productive shoot.

Location

For darker skies with more visible stars, you’ll need to get away from the light pollution of cities. Astrophotography can be done under a wide variety of nighttime conditions, but in general, the darker the skies, the better the results.

While any view of the night sky makes for a pleasing backdrop, it often helps to have an interesting foreground element, too. Scout areas during daylight hours to get a sense of what might work. Lakes, ponds and other bodies of water can reflect the sky on still nights. Mountains, rock formations or other landscape features can be especially striking when illuminated by moonlight.

The Milky Way arcs in a half circle over the bend in a river, with stars reflecting.
Millions of stars are reflected in the bend of a river. Canon 5D Mark II, 16–35mm f/2.8 @ f/2.8, ISO 3200, 25 seconds (9 vertical exposures stacked in Adobe Lightroom). Photo by Peter Pearsall/USFWS.

Preparation and settings

You’ll need a camera with adjustable settings. You’ll need a tripod or something similar to stabilize your camera for long exposures. You’ll need to be familiar with your camera’s settings and be able to manipulate them in the dark. Start with a wide angle view and a low f stop (f/4 or below), and experiment with your ISO and exposure time to capture the light.

Patience

Conditions can change quickly. Clouds can move in and obscure your view of the stars, or a fierce wind can whip up and make steady long exposures impossible. Have a backup plan or settle in to just enjoy the nighttime world, and bring your camera back another time.

Happy shooting, night owls!

Northern Lights

The farther north you venture, the longer the winter nights become. When the skies are clear and dark, check the aurora forecast and keep your gear ready for a chance to capture dancing sheets of color.

Purple, green, and blue color bands wave across a starry sky over a silhouette of trees.
Northern lights dance over the snowy forest near Koyukuk National Wildlife Refuge. Settings: 16–28mm f/2.8 lens @ f/2.8, ISO 1000, 7 seconds. Photo by Keith Ramos/USFWS.

“I’m a night owl, I’m up until midnight, 1 in the morning all the time.”

When he worked at the Koyukuk and Nowitna National Wildlife Refuges in Alaska, Keith Ramos would often find himself heading out the door in subzero temperatures during the wee hours of night, chasing after the shimmer of northern lights with his camera. He shares, photos, tips, and what he loves about the aurora in Alaska:

“You usually see greens, bright greens most of the time. But when it gets going, the curtains of red, pink and green light will come in. That’s just spectacular. The camera really picks up those colors even more than your naked eye.”

Green bands of light circle over dark trees.
Bright green lights trail over the silhouette of trees. Settings: 16–28mm f/2.8 lens @ f/2.8, ISO 1000, 4.5 seconds. Photo by Keith Ramos/USFWS.
Bands of purple, pink, red and green ripple down in curtains over a snowy landscape. Settings: 16–28mm f/2.8 lens @ f/2.8, ISO 1000–1200, 8–10 seconds. Photos by Keith Ramos/USFWS.

As with other astrophotography, capturing the northern lights requires a longer exposure, giving the camera more time to record available light. The camera will often “see” beyond the ability of human eyesight, revealing the pulse of color against a backdrop of stars.

When the the lights aren’t as strong and vibrant in person, you can still discover them through a longer exposure.

Green waves of light over black tree silhouettes
When the lights aren’t as strong, a longer exposure will pick up their presence. Settings: 16–28mm f/2.8 lens @ f/2.8, ISO 1000, 8 seconds. Photo by Keith Ramos/USFWS.

With luck, you might see the lights on a night when they are very strong, the result of a big geomagnetic storm on the surface of the sun.

“Then the camera caught the curtain coming down from right overhead, and it was actually dancing like that in real life, moving like a river in the sky, making its own path.

“I just get goosebumps thinking about it. I‘ve sat down on the ice before to look straight up, and watched the lights moving and flashing and jumping and pulsing down like boom-boom boom-boom boom-boom.”

A burst of pink, red, and green light against the starry sky.
A curtain of bright purple, pink and green light sprays down from above. Settings: 16–28mm f/2.8 lens @ f/2.8, ISO 1000, 7 seconds. Photo by Keith Ramos/USFWS.
Look up: Curtains of northern lights beat down from the center of the sky. Photos by Keith Ramos/USFWS.

How to chase the lights with your camera

Follow an aurora forecast
Similar to a weather forecast, the aurora forecast tracks wind conditions and storms: from the sun! The lights of the aurora come from electrically charged particles carried on a solar wind as they interact with the gasses of earth’s atmosphere. Several websites and apps report the auroral “weather” and can alert you to increased activity using a Kp index that measures aurora strength from calm (0 or 1) to a geomagnetic storm event (anything above a 5).

A map of northern North America with a green circle that shows the most likely places to see the aurora on December 11, 2020.
Example of an aurora forecast from the University of Alaska, Fairbanks. The green circles overlaying the map of northern North America indicate areas where the aurora might be visible in dark, clear skies during a particular day. The forecast predicts high activity for this time, with lights potentially visible on the horizon at latitudes that include the cities of Seattle, Des Moines, Chicago, Cleveland and Boston in the United States.

Find clear, dark skies at higher latitudes
The aurora is always happening somewhere, but it might be faint or obscured by clouds or other light. A dark and clear sky is key. Northern latitudes mean more chances of seeing lights even when aurora activity is lower. In northern Alaska, the aurora viewing season lasts from early fall through spring, with some of the highest activity during the equinoxes.

Green streaks of light across a night sky with black tree silhouettes
Green bands of light trail over the dark silhouette of trees. Settings: 12–24mm f/4 lens @ f4, ISO 400, 29 seconds. Photo by Keith Ramos/USFWS.

Use a longer exposure, high ISO setting and a tripod
Photographing the northern lights is a balance of technical settings on your camera. Try shooting with a wide open aperture (f/4 or below), with an exposure time of a few seconds. A higher ISO setting will let you have a shorter exposure time with less blur, but keep a close eye on the results. Too high of an ISO can mean more grain or “noise” in the image. No matter what setting, you’ll need a tripod to keep your camera stabilized.

Look up: three different night sky scenes with a timelapse of stars moving across the sky and the flicker of northern lights appearing. Video by Peter Pearsall/USFWS.

Safety and gear:

Astrophotography can be its own adventure! Stay safe and prepared while out with the stars:

  • A headlamp with the option to use red light, which doesn’t interfere with the human eye’s capacity for low-light vision, can help you find your way around between shots.
  • Appropriate clothing and footwear for your outing (it can be helpful to check forecasts for your area, not only for temperature but also for cloud cover, wind, humidity, etc.).
  • If you are shooting in cold environments, bring extra batteries and a reliable form of transportation so you don’t get stranded in the brrrr. Don’t lick the metal tripod.
  • Pack plenty of snacks and water to keep you going while the stars are turning.
  • Keep your situational awareness for the company of other critters. If you are in bear country, practice good bear etiquette.
  • Tell a friend where you’ll be and when you expect to return.

Contributed by: Peter Pearsall, Keith Ramos, and Lisa Hupp.

A band of purple and green light waves over black trees and the distant lights of a town.
A curtain of northern lights over the town of Galena, Alaska. Photo by Keith Ramos/USFWS.

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