If Looks Could Kill: The Story Behind the Most Intense Lion Portrait

500px
Vantage
Published in
4 min readJul 6, 2015

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Through the lens, I felt his stare; it was powerful enough to make me stop shooting, and for that moment, time seemed to pause and nothing else existed…

by 500px Photographer Eric Esterle

Last year I photographed one of the most memorable and appreciated moments of my photography career. The shot is a “portrait of a lion” I titled “Eyes Water” — I’ll explain more on this later.

Since capturing this moment, actually series of moments, I’ve kept a bit quiet where I’ve photographed it. But after being contacted by 500px, I knew there wouldn’t be a more appropriate platform to explain more about this shot, how I photographed and processed it, and where the image was taken.

Photo by Eric Esterle

The Shot

I may have well been on safari at a watering hole in Africa, but I wasn’t! “Eyes Water” is a portrait of an adult male African lion named Luke. Luke is perhaps the pinnacle of The Smithsonian Institution’s National Zoological Park for conservation of threatened animals.

For almost 7 years now I have frequently traveled down to Washington, D.C., to the Smithsonian mainly to photograph these great cats. In that time, I’ve never encountered such an amazing moment as I did on April 14, 2014.

On this day, I was testing a new lens and camera body. When I approached the Lion from the observation area his head was almost completely submerged below the water’s surface. As I raised my camera and composed the shot, Luke simultaneously raised his head out of the water in my direction. As I began to fire off continuous shots the sound of my shutter focused Luke’s attention on me.

Through the lens, I felt his stare; it was powerful enough to make me stop shooting, and for that moment, time seemed to pause and nothing else existed but this massive imposing lion intensely staring back at me as if to my soul.

I truly felt amazed and minuscule by the power of this animal. I watched the rest of his intrigue and facial expression not through my lens, but peering around the side of my camera still holding it as if I were shooting. It was the first time anything has ever made me stop shooting. It was such an unforgettable moment, something I am lucky to have been a part of. I will never forget.

“Eyes Water” is frame “_DSC0312.NEF” from a series of about 11. I don’t regret that I stopped shooting to be a part of a moment instead of just observing it. I am too often guilty of hiding behind my camera.

Post-Processing

Processing “Eyes Water” was actually quite minimal. One of the things I was looking for is to capture the facial expressions of the lion. Since I wasn’t in an overtly picturesque and completely natural safari setting, I needed to get in close, which is why I cropped the image in the way that I have.

I used Adobe Lightroom as my RAW interpreter, making adjustments to the RAW file neutrality in Contrast and Clarity, corrections for softness and color, vibrancy, and applied a default lens profile correction, which had a minimal effect at 400mm. No noise reduction was performed whatsoever in order to maintain the crispness of the lion’s mane and facial hair.

For adjustment comparison reference the RAW NEF file next to the JPG for comparison at 100%.

Screenshot by Eric Esterle

Details

So why did I name it “Eyes Water”? There are actually 2 reasons for this, the first being that after this encounter I really felt as if I had “shared” a moment with this majestic creature and “my” eyes were actually watering a bit. I was not crying, for the record…

Keep Reading…

This article originally appeared on the 500px blog.

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