Trump As Orifice: Two Photographers Get to the Essence
Mark Peterson and Nate Gowdy on the GOP frontrunner
by Michael Shaw
Mark Peterson’s photos this election cycle cut to the bone. His style might not be the perfect fit for a guarded and cerebral Hillary, but it fits the primitive Trump to a “T.”
Trump being rancid on purpose, Peterson does more than reduce the blasphemous one to a mouth. In this quintessential Campaign ’16 photograph, he frames him as an orifice. Metaphors be damned, Doctor Peterson graphically exposes us to a diseased organ — in essence, that of the broken political system that birthed him.
A photo-illustrated version of the above photo appeared on the cover of Washington Post Magazine.
Taking the measure of this lowly GOP contest, this simply strips down the exercise to its own visual terms. After the debate in Houston and (Little) Rubio’s descent to Trump’s level, all that remains is a primal manhood contest. But Peterson’s brilliant photo already says that.
And while we’re getting physical, let’s add Nate Gowdy’s multiple exposure to the mix. Not to be confused with any Hindu God (though, wasn’t Shiva bent on destroying the world to restore it?), Gowdy applies his own technique to scope The Donald. If it’s a little heavy-handed, what he attempts to frame is what happens once he’s switched on: the chaos, the mania, the incitement, the barrage, the filibuster, the rash of incomplete thoughts, the jerkiness (in both senses of the word), the Willy Loman on meth with the constant I’m telling you‘s, and all the take my words for it — you know, the whole medicine show.
As photographers start to boil Trump down (and not just indy ones, or well-published ones taking to their own social media), I hope the electorate does the same exam.
Originally published at Reading The Pictures, the only site dedicated to the daily review of news and documentary photography. Sign up for the Reading The Pictures Week in Re-View email. Follow us on Twitter, Facebook and Instagram.
