Flesh and Blood Robot

Klaus Dreadful
Word Garden
Published in
3 min readAug 1, 2024

At 27, the cruel arithmetic of existence had dealt me a hand that felt like divine punishment. My flooring company, my monument to hard labor and stubborn ambition, collapsed under the weight of its own fragility. And she — ten years of shared breaths and entwined destinies — walked out, carrying with her the dogs, those loyal creatures who had witnessed every victory and defeat. Their absence gnawed at me, a hollow void in the fabric of my life.

Days and nights blended into a monotonous purgatory, an endless cycle of hollow routines. The existential crisis descended upon me with the force of an unforgiving God, peeling back the layers of my soul to reveal the raw, festering wounds beneath. Recovery had been a fragile scaffold, a delicate balance between self-loathing and fleeting hope. Now, that balance was shattered, and I found myself on the precipice of despair.

The remnants of my life lay scattered like the debris of a bomb blast, each piece a mocking testament to what once was. The company had been my salvation, a tangible proof of my worth in a world that valued so little. Now it was a specter, haunting my every waking moment. The phantom sounds of saws and hammers filled my dreams, cruel reminders of lost purpose.

Existential dread settled over me like a suffocating shroud. Each breath felt like an act of defiance against the crushing weight of my own insignificance. The mirror reflected a stranger, eyes sunken and hollow, skin stretched thin over a frame that once held promise. What remained when everything was stripped away? What was left to strive for in the void?

The nights were an abyss. I’d sit in the darkness, staring at the empty space where she once lay, where the dogs once curled up, their warmth now a distant memory. I’d light a cigarette, watching the smoke spiral upward, a fleeting symbol of my vanishing sense of self. Bukowski had it right: “Find what you love and let it kill you.” Love had killed me, resurrected me, and then killed me again. This time, it felt final.

Recovery was a cruel paradox. The AA meetings, the rote mantras, the endless cups of coffee that tasted like despair. I’d sit in those circles, absorbing the stories of others, each one a mirror of my own failures. I was not just a recovering addict; I was a man drowning in the existential mire, clawing at the surface for meaning in a world that seemed indifferent to my plight.

The shadows of Jung’s archetypes danced around me, mocking my quest for understanding. The warrior, the lover, the fool — I was all of them and none of them. The unconscious mind churned with symbols, each one an unsolvable riddle. The collective experience of suffering was a heavy mantle, reminding me that I was not alone in this hell. Yet somehow, that made it worse. Misery didn’t just love company; it thrived on it, feeding on our shared despair.

And then there was the question of meaning. Was there a grand design, a purpose to my suffering, or was I just a pawn in a cosmic farce? The universe seemed cold, indifferent, a vast, unfeeling void that mocked my every attempt to find purpose. I envied those who found solace in faith, in the comforting delusions that wrapped around their fears like a warm blanket. For me, there was only the stark, unvarnished truth: life was suffering, and any joy was fleeting, a brief respite before the next storm.

So there I sat, amidst the ruins of my life, a recovering addict at 27, stripped of everything I once held dear. The future stretched out before me, a barren wasteland of uncertainty. Yet somewhere, deep within, a flicker of defiance remained. I wasn’t ready to let the darkness claim me. Not yet. There was still a fight left in me, a spark that refused to die. And perhaps, just perhaps, that would be enough.

Or maybe it was just another lie I told myself to keep going. But in the end, what is truth but another construct of a mind desperate to find meaning in the chaos? Either way, the road ahead was long, and I was still standing. And for now, that had to be enough.

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Klaus Dreadful
Word Garden

Klaus Dreadful writing ranges from poems and creative writing to op ed narrative pieces and more. An academic brain and a mind that wanders the imagination.